Shibuya-kei
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'''Shibuya-kei''' is a [[microgenre]] of [[pop music]] or a general aesthetic that flourished in the mid to late 1990s. Emerging as Japanese retail music from the [[Shibuya, Tokyo|Shibuya]] district of [[Tokyo]], artists purveyed a cut-and-paste style that was inspired by previous genres based on [[kitsch]], fusion, and [[artifice]]. Shibuya-kei inherited musical characteristics from earlier 1980s Japanese [[city pop]], while incorporating strong influences from 1960s culture and Western pop music, especially the orchestral domains occupied by producers [[Burt Bacharach]], [[Brian Wilson]], [[Phil Spector]], and singer [[Serge Gainsbourg]]. | '''Shibuya-kei''' is a [[microgenre]] of [[pop music]] or a general aesthetic that flourished in the mid to late 1990s. Emerging as Japanese retail music from the [[Shibuya, Tokyo|Shibuya]] district of [[Tokyo]], artists purveyed a cut-and-paste style that was inspired by previous genres based on [[kitsch]], fusion, and [[artifice]]. Shibuya-kei inherited musical characteristics from earlier 1980s Japanese [[city pop]], while incorporating strong influences from 1960s culture and Western pop music, especially the orchestral domains occupied by producers [[Burt Bacharach]], [[Brian Wilson]], [[Phil Spector]], and singer [[Serge Gainsbourg]]. | ||
- | It has its origins in [[pop]], [[indie pop]], [[city pop]], [[orchestral pop]], [[soul]], [[lounge]], [[French pop]], [[sunshine pop]], [[yé-yé]], [[hip hop]], [[house]], [[jazz]], [[funk]], [[bossa nova]] and [[Italian soundtracks]]. | + | It has its origins in [[pop]], [[indie pop]], [[city pop]], [[orchestral pop]], [[soul]], [[lounge music|lounge]], [[French pop]], [[sunshine pop]], [[yé-yé]], [[hip hop]], [[house]], [[jazz]], [[funk]], [[bossa nova]] and [[Italian soundtracks]]. |
==See also== | ==See also== |
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Shibuya-kei is a microgenre of pop music or a general aesthetic that flourished in the mid to late 1990s. Emerging as Japanese retail music from the Shibuya district of Tokyo, artists purveyed a cut-and-paste style that was inspired by previous genres based on kitsch, fusion, and artifice. Shibuya-kei inherited musical characteristics from earlier 1980s Japanese city pop, while incorporating strong influences from 1960s culture and Western pop music, especially the orchestral domains occupied by producers Burt Bacharach, Brian Wilson, Phil Spector, and singer Serge Gainsbourg.
It has its origins in pop, indie pop, city pop, orchestral pop, soul, lounge, French pop, sunshine pop, yé-yé, hip hop, house, jazz, funk, bossa nova and Italian soundtracks.
See also