Wabi-sabi  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Wabi-sabi

Leonard Koren in his book Wabi-Sabi: for Artists, Designers, Poets and Philosophers

Wabi-sabi represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience. The phrase comes from the two words wabi and sabi. The aesthetic is sometimes described as one of beauty that is "imperfect, impermanent, and incomplete" (according to Leonard Koren in his book Wabi-Sabi: for Artists, Designers, Poets and Philosophers). It is a concept derived from the Buddhist assertion of the Three marks of existence, specifically impermanence. Note also that the Japanese word for rust, ja is also pronounced sabi (the borrowed Chinese character is different, but the word itself is of assumed common etymology), and there is an obvious semantic connection between these concepts.

Characteristics of the wabi-sabi aesthetic include asymmetry, asperity, simplicity, modesty, intimacy, and suggest a natural process.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Wabi-sabi" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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