W. Eugene Smith  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

William Eugene Smith (December 20, 1918, Wichita, Kansas – October 15, 1978, Tucson, Arizona) was an American photojournalist known for his refusal to compromise professional standards and his brutally vivid World War II photographs.

Life and Work

Smith graduated from Wichita North High School in 1936. He began his career by taking pictures for two local newspapers, The Wichita Eagle (morning circulation) and the Beacon (evening circulation). He moved to New York City and began work for Newsweek and became known for his incessant perfectionism and thorny personality. Smith was fired from Newsweek for refusing to use medium format cameras and joined Life Magazine in 1939. He soon resigned from Life, too. In 1942 he was wounded while simulating battle conditions for Parade magazine.

As a correspondent for Ziff-Davis Publishing and then Life again, Smith entered World War II on the front lines of the island-hopping American offensive against Japan, photographing U.S. Marines and Japanese prisoners of war at Saipan, Guam, Iwo Jima, and Okinawa. On Okinawa, Smith was hit by mortar fire. After recovering, he continued at Life and perfected the photo essay from 1947 to 1954.

In 1950, he was sent to the United Kingdom to cover the General Election, in which the Labour Party, under Clement Attlee, was narrowly victorious. Life had taken an editorial stance against the Labour government. In the end, a limited number of Smith's photographs of working-class Britain were published, including three shots of the South Wales valleys. In a documentary made by BBC Wales, Professor Dai Smith traced a miner who described how he and two colleagues had met Smith on their way home from work at the pit and had been instructed on how to pose for one of the photos published in Life.

Smith severed his ties with Life over the way in which the magazine used his photographs of Albert Schweitzer. Upon leaving Life, Smith joined the Magnum photo agency in 1955. There he started his project to document Pittsburgh. This project was supposed to take him three weeks, but spanned three years and tens of thousands of negatives. It was too large to ever be shown, although a series of book-length photo essays were eventually produced.

From 1957 to 1965 he took photographs and made recordings of jazz musicians at a Manhattan loft. shared by David X. Young, Dick Cary and Hall Overton.

In January 1972, Smith was attacked by Chisso employees near Tokyo, in an attempt to stop him from further publicizing the Minamata disease to the world. Although Smith survived the attack, his sight in one eye deteriorated. Smith and his Japanese wife lived in the city of Minamata from 1971 to 1973 and took many photos as part of a photo essay detailing the effects of Minamata disease, which was caused by a Chisso factory discharging heavy metals into water sources around Minamata. One of his most famous works, Tomoko Uemura in Her Bath, taken in December 1971 and published a few months after the 1972 attack, drew worldwide attention to the effects of Minamata disease.

Complications from his longterm consumption of drugs, notably Amphetamine (taken to enable his workaholic tendencies), and alcohol led to a massive stroke, from which Smith died in 1978.

Smith was perhaps the originator and arguably the master of the photo-essay. In addition to Pittsburgh, these works include Nurse Midwife, Minamata, Country Doctor, and Albert Schweitzer - A Man of Mercy.

Today, Smith's legacy lives on through the W. Eugene Smith Memorial Fund to promote "humanistic photography." Since 1980, the fund has awarded photographers for exceptional accomplishments in the field.

Notable photographs

  • (1944) photograph in which a wounded infant is found by an American soldier on Saipan
  • (1945) photograph in which Marines blow up a Japanese cave on Iwo Jima, published on the cover of Life Magazine, April 9, 1945
  • "The Walk to Paradise Garden" (1946) single photo of his two children walking hand in hand towards a clearing in woods. It was the closing image in the groundbreaking 1955 MOMA exhibition, "The Family of Man," organized by Edward Steichen with 503 photographs, by 273 photographers from 68 countries, that he recognized as picturing "the essential oneness of mankind throughout the world [showing] the gamut of life from birth to death."
  • "Country Doctor" (1948) photo essay on Dr. Ernest Ceriani in the small Colorado town of Kremmling. Credited as the first "photo story" of the modern photojournalism age.
  • Spanish Village (1950) photo essay on the small Spanish town of Deleitosa.
  • "Nurse Midwife" (1951) photo essay on midwife Maude Callen in South Carolina.
  • A Man of Mercy (1954) photo essay on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa.
  • "Pittsburgh" (1955-1958) 3 year-long project on the city, hired initially by photo editor Stefan Lorant for a three-week assignment.
  • Haiti 1958–1959 photo essay on a psychiatric institute in Haiti.
  • "Tomoko Uemura in Her Bath" (1971) the centerpiece photograph in Minamata, a long-term photo essay by Smith on the effects of mercury poisoning in the fishing village of Minamata, Kumamoto Prefecture, Japan (see Minamata disease). The photograph depicts a mother cradling her severely deformed, naked daughter in a traditional Japanese bathing chamber. This has been withdrawn from circulation in accordance with the parents' wishes. The photograph was the centerpiece of a Minamata disease exhibition held in Tokyo, Japan in 1974.

References

  • Steichen, Edward. The Family of Man. New York: The Museum of Modern Art, 1955.
  • Smith, W. Eugene. W. Eugene Smith: An Aperture Monograph afterword by Lincoln Kirstein. New York: Aperture, 1969
  • Smith, W. Eugene and Lincoln Kirsten. W. Eugene Smith: His Photographs and Notes. New York: Aperture, 1973.
  • Smith, W. Eugene. Let Truth be the Prejudice: W. Eugene Smith, His Life and Photographs. New York: Aperture, 1985.





Unless indicated otherwise, the text in this article is either based on Wikipedia article "W. Eugene Smith" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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