19th century erotica
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The early 19th century was noted by an abscence of both erotic art and erotic literature, generally ascribed to the neoclassical prudery. In se, eroticism in the 19th century starts in the second half of the century. A significant forerunner in literature was the novelle Gamiani (1833). But overshadowing this period was the legacy of Marquis de Sade and other libertine writers.
On a technical level, the century saw the further proliferation of mass produced texts and illustrations. Added to this mix was the new medium of photography, which begot erotic photography shortly afterwards and which led to developments such as erotic postcards.
Some artists and writers straddle the 18th and 19th centuries. Such cases are Casanova (1725 – 1798, but his work was not published until the 19th century), Marquis de Sade (1740 – 1814) Henry Fuseli (1741 - 1825), Goya (1746 – 1828) and Canova (1757 - 1822). Some art forms were only discovered in the West during the 19th century such as the Japanese erotic prints called shunga.
The cultural climate was influenced by Naturalist Darwin who suggested that humans are family of primates, Richard Francis Burton's sexual anthropology, Havelock Ellis's sexology, all of which countered Victorian prudery. At the end of the century Freud established that sexual drives as the primary motivational forces of human life.
With the arrival of Neoclassicism, Romanticism, Realism, Naturalism, Symbolism and the Decadent movement, Ovid is largely forgotten, except in the eroto-humoristic work of Arnold Böcklin.
The invention of electricity led to the development of the vibrator.
Contents |
By medium
Visual arts
Icons of erotic art of the 19th century were The Great Odalisque (1814) by Ingres, Le déjeuner sur l'herbe (1863) by Édouard Manet, both works publicly exhibited. L'origine du monde (1866) by Gustave Courbet, certainly the most explicit work of erotica of the 19th century, has only been on public display since the 1990s. By far having the largest influence on erotic mores, was the academic art ("Erotic Frigidaire") and its offshoot exotic painting. These in turn influenced the content of lithography, which towards the end of the century delivered the first pin-ups in such magazines as La Vie Parisienne.
Prints and drawings
Some important names in the area of the printmaking were Achille Devéria (Les petits jeux innocents), Peter Fendi, Paul Gavarni ("glory hole" caricature)[1], Johann Nepomuk Geiger, Grandville (Venus at the Opera, Résurrection de la censure), Heinrich Lossow[2], Henry Monnier, Eugène le Poitevin, Félicien Rops, Mihály Zichy.
Photography
In the middle of the 19th century, the first erotic daguerreotype stereographs appeared on the Paris market. These were almost invariably anonymous. Only a few photographers acknowledged production of daguerreotype nudes: Félix-Jacques Moulin, Jean Louis Marie Eugène Durieu , Louis Jules Duboscq-Soleil, Auguste Belloc, Bruno Braquehais, Louis d'Olivier and Vallou de Villeneuve. A collection of their work can be found on Wikimedia commons Vintage nude photographs.
The first obscene censorship trial had as its object some photographs of Félix-Jacques Moulin. In 1851, Moulin's work was confiscated, and he was sentenced to one month of imprisonment for the "obscene" character of his works, "so obscene that even to pronounce the titles (...) would be to commit an indecency" according to the court archives [3].
Literature
- 19th century literature, 19th_century_French_erotica#Literature, French_erotic_literature#Template:XIXe_si.C3.A8cle
Thematically
Preoccupation with human animal contact
"Hostile Forces" (1902) is a detail of the Beethoven Frieze by Gustav Klimt. Much like Alfred Kubin's "Lubricity" (1902) and "The Ape" (1903-1906) it echoes Emmanuel Frémiet's sculptures Gorilla Carrying off a Woman (1887) and An Orang Outan Strangling a Young Borneo Savage (1895), showing the dark fin de siècle fascination with human female/ape contact.
Shift from preoccupation with "damsel in distress" to "femme fatale"
Mario Praz in Romantic Agony notes how damsel in distress trope at the beginning of the century shifts to the femme fatale trope at the fin de siecle.
Skinny beauty ideal in the fin de siècle
The proto-pin-ups of France of the fin de siècle period, especially those of Raphael Kirchner (1867– 1917) and Léo Fontan (1884 - 1965), launched the heroin chic look. Never before in the history of the female nude, have models looked so skinny. This predilection for the emaciated female form is also evident in the work of contemporary artist Franz von Bayros (1866 - 1924). See for example, this print[4] Tantalus (1908) from Der Toilettentisch and Erwartung by Otto Goetze (1868 - 1931).
And in the region of "high art", both the women of Gustav Klimt (1862 – 1918) and Egon Schiele (1890 – 1918) are thin. One notable exception in the work of Klimt is his Danaë. Another,less known, is Démasquée (1888) by Akseli Gallen-Kallela.
By region
England
The 19th century in Great Britain largely coincides with the Victorian era and its prudery, now known as Victorian morality. There was a thriving pornographic market centered in London at Holywell Street, curbed in 1857 by the first Obscene Publications Act.
Theresa Berkley and "Le vice Anglais"
Theresa Berkley (died September 1836) was a 19th century British dominatrix who ran a brothel in at 28 Charlotte Street, just to the north of Soho, London specialising in flagellation. She is notable as the inventor of the Berkley Horse, a piece of BDSM apparatus. England was quite known for its preference for sadomasochist erotica, referred to as Le vice Anglais.
First collectors
Frederick Hankey (1823, Corfu, Greece - 1882) was a British bibliophile. Retiring from the military in 1840, Hankey moves to Paris where he indulges in his passion of erotic literature, particularly of the sadistic variety. Ashbee compared him to Marquis de Sade "without the intellect". Hankey supplied sado-masochistic erotica to Swinburne, Richard Burton and Richard Monckton Milnes.
Henry Spencer Ashbee (21 April 1834 – 29 July 1900) was a book collector, writer, and bibliographer, notorious for his massive, clandestine three volume bibliography of erotic literature written under the pseudonym of Pisanus Fraxi. His Index Librorum Prohibitorum, the first of his trilogy on erotic literature was privately printed in London in 1877. He is also presumed to be the author of My Secret Life.
Charles Carrington (11 November 1867 - 15 October 1921) was a leading British publisher of erotica in late-19th and early 20th century Europe, including flagellation novels that were illustrated by the illustrator Martin van Maële. Born Paul Harry Ferdinando in Bethnal Green, England, he published in Paris where he also managed a bookshop and for a short period of time moved his activities to Brussels. Carrington also published works of classical literature, including the first English translation of Aristophanes "Comedies," and books by famous authors such as Oscar Wilde and Anatole France, in order to hide his "undercover" erotica publications under a veil of legitimacy. Carrington died at St-Ivry, France.
Literature
Sir Richard Francis Burton (19 March 1821 – 20 October 1890) was known for his travels and explorations within Asia and Africa as well as his extraordinary knowledge of languages and cultures. Burton's best-known achievements include traveling in disguise to Mecca, making an unexpurgated translation of The Book of One Thousand Nights and A Night (the collection is more commonly called The Arabian Nights in English because of Andrew Lang's abridgment) and the Kama Sutra. See also: Scandals in the life of Richard Burton.
Algernon Charles Swinburne (April 5, 1837 – April 10, 1909) was a Victorian era English poet. His poetry was highly controversial in its day, much of it containing recurring themes of sadomasochism, death-wish, lesbianism and irreligion. Swinburne is considered a decadent poet, although he perhaps professed to more vice than he actually indulged in, a fact which Oscar Wilde famously and acerbically commented upon, stating that Swinburne was "a braggart in matters of vice, who had done everything he could to convince his fellow citizens of his homosexuality and bestiality without being in the slightest degree a homosexual or a bestializer."
Oscar Wilde (16 October 1854 – 30 November 1900) was an Irish playwright, novelist, poet, and short story writer primarily known for his novel The Picture of Dorian Gray. As the result of a famous trial, he suffered a dramatic downfall and was imprisoned for two years of hard labour after being convicted of the offence of "gross indecency". The scholar H. Montgomery Hyde suggests this term implies homosexual acts not amounting to buggery in British legislation of the time.
Towards modern sexology
Henry Havelock Ellis (2 February 1859 - 8 July 1939) was a British sexologist, physician, and social reformer, noted for his seven volume Studies in the Psychology of Sex and for his translation of Against the Grain by Joris-Karl Huysmans.
Visual arts
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author of the Decadents, best known for his erotic illustrations. His emphasis of the erotic element is present in many of his drawings, but nowhere as boldly as in his illustrations for Lysistrata which were done for a privately printed edition at a time when he was totally out of favor with polite society. One of his last acts after converting to Catholicism was to plead with his publisher to "destroy all copies of Lysistrata and bad drawings...by all that is holy all obscene drawings." His publisher, Leonard Smithers, not only ignored Beardsley wishes, but continued to sell reproductions and outright forgeries of Beardsley's work.
William Etty (York 10 March 1787 – 13 November 1849) was an English painter, best known for his paintings of nudes, such as Standing Female Nude, Sleeping Nymph and Satyrs (1828) and one of Gyges of Lydia.
France
- 19th century French erotica, French can-can, Moulin Rouge, 19th century Paris, 19th century French literature, modern art
Key figures include Charles Baudelaire, Alfred Binet, Gustave Courbet, Achille Devéria, Théophile Gautier, Jules Gay, Edouard Manet, Octave Mirbeau, Alfred de Musset, Félicien Rops, Bénedict-Auguste Morel
Painting
- Ingres (1780 – 1867)
- Achille Devéria (1800 - 1857)
- Eugène le Poitevin (1806 -1870)
- Gustave Courbet (1819 - 1877)
- Edouard Manet (1832 - 1883)
- Félicien Rops (1833 - 1898)
- Jules Lefebvre (1836 - 1911)
- Félix Vallotton (1865 -1925)
Literature
Printers of erotica in the late 1800s: Jules Gay, Henry Kistemaeckers, Auguste Poulet-Malassis, Isidore Liseux
- Gamiani
- Alcide Bonneau's translations
- Octave Uzanne's bibliomania
- Charles Carrington
- Charles Baudelaire's Les Fleurs du mal and Les Épaves and subsequent trial.
- Théophile Gautier
- Octave Mirbeau
- Alfred de Musset
- Jules Amédée Barbey d'Aurevilly
- Pierre Louÿs
- Alfred Binet
- French academic art
Denmark
Germanosphere
Towards modern sexology
Literature
Visual arts
- Ramberg (1763 – 1840)
- Friedrich Karl Forberg (1770 - 1848)
- Peter Fendi (1796 – 1842)
- Franz von Stuck (1863 - 1928)
Hungary
United States
Anthony Comstock
Anthony Comstock (March 7, 1844 – September 21, 1915) was a former United States Postal Inspector and politician dedicated to ideas of Victorian morality. He was a moral crusader and iconic figure in the history of American censorship. He passed the Comstock laws and came to the international attention with the "September Morn" case.
The Greek Slave
The Greek Slave is a marble statue in Raby Castle, carved in Florence by American sculptor Hiram Powers in 1844. Copies of the statue were displayed in a number of venues around Great Britain and the United States, and it quickly became one of Powers' most famous and most popular works. The design of the statue was based upon the Venus de' Medici in the Uffizi Gallery in Florence. The statue depicts a young woman, nude, bound in chains; in one hand she holds a small cross on a chain. The title suggests that she is some sort of captive, and is on display for sale as a sexual object in an unknown slave market.
Japan
The history of Japanese erotica goes back but was imported in Europe during the 19th century.
Discovery of Shunga in France, the Goncourts
- The discovery of shunga in France by the Goncourts
- “Rodin, who is full of fawnishness, asks to see my Japanese erotics, and is full of admiration before the women’s drooping heads, the broken lines of their necks, the rigid extensions of arms, the contractions of feet, all the voluptuous and frenetic reality of coitus, all the sculptural twining of bodies melted and interlocked in the spasm of pleasure.” --Journal des Goncourt
- «Rodin, qui est en pleine faunerie, me demande à voir mes érotiques japonais, et ce sont des admirations devant ces dévalements de têtes de femmes en bas, ces cassements de cou, ces extensions nerveuses des bras, ces contractures des pieds, toute cette voluptueuse et frénétique réalité du coït, tous ces sculpturaux enlacements de corps fondus et emboîtés dans le spasme du plaisir» (Journal des Goncourt, 3 janvier 1887).
- "Jeudi 2 avril — Après un morceau sur les erotiques japonais, ainsi qu'après tous les morceaux que je travaille un peu, il me semble ressentir comme une déperdition érébrale, comme un vide laissé dans ma tête par quelque chose qui en serait sorti, et aurait été pompé par le papier de la copie. --1891, Journal des Goncourt
Edmond de Goncourt wrote one of the first monographies on Japanese artists in Europe. Outamaro: le peintre des maisons vertes (1891), a monograph on Utamaro Kitagawa and Hokusai (1896).
Sexology
In 1837, De la prostitution dans la ville de Paris (Prostitution in the City of Paris) was published by Alexander Jean Baptiste Parent-Duchatelet. In that study, Parent-Duchatelet provided data from a sample of 3,558 registered prostitutes of Paris. That effort has been called the first work of modern sex research.
In 1886, Richard Freiherr von Krafft-Ebing published Psychopathia Sexualis. That work is considered as having established sexology as a scientific discipline.
In 1887, the French French psychologist Alfred Binet published "Du Fétichisme dans l’amour."
In 1897, Havelock Ellis, a British sexologist, co-authored the first English medical text book on homosexuality, Sexual inversion (Das Konträre Geschlechtsgefühle). (The original German-languaged edition was published in 1896.) A friend of Edward Carpenter, Ellis was one of the first sexologists who did not regard homosexuality as a disease, immoral, or a crime. He preferred the term inversion to homosexuality, and developed concepts such as autoerotism and narcissism, which were later adopted by Sigmund Freud. He is regarded as having been one of the most influential scholars in opposing Victorian morality regarding sex.
Timeline
The early 19th century is notable for its absence of erotica. The United Kingdom and France define public indecency, obscenity as threats to the public order.
1800s
- La Nuit (c. 1800)[5] is a print and painting by Nicolas-Francois Regnault.
- Psyché enlevée par les zéphirs (ca. 1800)[6] is a painting by Pierre-Paul Prud'hon (1758–1823)
- Flora Caressed by Zephyr (1802) is a painting by François Gérard.
- Maja Desnuda
- Portrait of a Black Woman (1800) by Benoist
- The Valpinçon Bather (1806)
- Oedipus and the Sphinx (1808)
- Dictionnaire critique, littéraire et bibliographique des principaux livres condamnés au feu, supprimés ou censurés (1806), with a section on "sotadic or pornographic books"
- John Styles on Shakespeare
1810s
- Vere Street Coterie
- Morpheus and Iris[7] (1811) by Pierre-Narcisse Guérin
- Jupiter and Thetis (1811) by Ingres
- The Great Odalisque (1814) by Ingres sets a trend for paintings of harems, Turkish baths, tepidaria and seraglios, see prostitution in art.
- Ruggiero Rescuing Angelica (1819) by Ingres, starts the trope of the bound woman in the 19th century
- Law of 1819 first defines outrage aux bonnes moeurs
- King Francis I of Naples 1819 visit to the Pompeii exhibition at the National Museum
1820s
- The Dream of the Fisherman's Wife (1820)
- 1822 First publication of Histoire de ma vie by Casanova
- Death of Sardanapalus (1827) brings sadism to painting.
- Venus Rising from the Sea — A Deception, by American painter Peale, clever comment on censorship
- Ideen: Das Buch Le Grand, satire of censorship
- The Lustful Turk (1828) revives a dormant period in erotic literature.
- Three Lovers (1817 - 1820) is a painting by Théodore Géricault . It is considered his only erotic painting.
1830s
- The Bathers (Louis Hersent), 1830 by Louis Hersent
- Les Diableries Erotiques by Poitevin
- The Royal Museum at Naples, Being Some Account of The Erotic Paintings, Bronzes, and Statues Contained in that Famous "Cabinet Secret" (1832) by César Famin
- Les Cent Contes drolatiques (1832 - 37) by Balzac
- Gamiani (1833) revives a dormant period in erotic literature.
- Diabolico foutro manie (1835)
- Study (Young Male Nude Seated beside the Sea) (1835-36) by Hippolyte Flandrin
- The Confessional Unmasked (1836) is the object of an obscenity trial in England, known as Regina vs Hicklin
- Queen Victoria rises to the throne (1837) and starts the period of Victorian morality.
- Daguerreotype is invented (1839)
1840s
- Krafft-Ebing born (1840)
- Andromeda Chained to the Rock by the Nereids[8] (1840, Andromède attachée au rocher par les Néréides) is a painting of Andromeda and the Nereids by French painter Théodore Chassériau, currently at the Louvre.
- Rückenakt (Morgentoilette) (Woman Standing in Front of a Mirror)[9] (1841) by Danish artist Eckersberg.
- Odalisque with Slave [10] (1842)
- Come unto These Yellow Sands (1842) by Richard Dadd
- By 1843, an article in Revue des Deux Mondes by the critic Charles Augustin Sainte-Beuve suggested that Sade as well as the poet Byron were the two greatest inspirations of the modern era.
- The Greek Slave (1844) by Hiram Powers
- Venus at the Opera[11][12] (1844) is a plate from the Un autre monde album by French artist Grandville.
- Venus Anadyomene[13], completed after many years in 1848, is one of Ingres's most celebrated works (Musée Condé, Chantilly, France).
- The Toilet of Esther[14] (c. 1840) is a painting by Theodore Chasseriau; oil on canvas; Musée du Louvre, Paris
- The Romans of the Decadence (1847) Thomas Couture
- Woman bitten by a serpent ( 1847), marble, Clesinger
- The Metaphysics of Sexual Love by Arthur Schopenhauer
- Schlummernde Frau 1849 by Johann Baptist Reiter
1850s
The annus mirabilis is 1857. In France that year there were three high-profile trials: against Flaubert’s Madame Bovary, Baudelaire's Les Fleurs du Mal, and Eugène Sue’s Les Mystères du Peuple.
In 1857, Charles Baudelaire publishes the poetry anthology Les Fleurs du mal (1857), some of the poems are banned by the French government. Likewise, Gustave Flaubert gets in to legal trouble with the publication of Madame Bovary (1857). The French doctor Bénedict-Auguste Morel publishes a treatise on degeneracy titled Treatise on the Physical, Intellectual and Moral Degeneration of the Human Race (1857) and in the UK, book censorship is for the first time systematically enforced with the The Obscene Publications Acts.
- Fille endormie[15] (1852) by Léon Joseph Florentin Bonnat
- The Awakening Conscience (1853) by Holman Hunt
- 1857: Obscene Publications Acts
- Etymologies of erotica and pornography
- The Lancet reports in 1857 that there are more than 6,000 brothels in London and 80,000 prostitutes.
- The Source[16] (1856) by Ingres
- Alice Liddell as a beggar-maid, photo
- Pelvic douche machine, illustrates new problems of gynecologists in treating the "furor uterinus", see female hysteria#Victorian_era.
- The Two Ways of Life, photo
- Hayloft scene (Félix-Jacques Moulin), photo
1860s
- Hermaphrodite (Nadar) (1860)
- Woman with hairy genitalia is peeking through her fingers while looking at the camera (c. 1860s)
- Photographies obscènes pour stéréoscope
- The Turkish Bath (1862) by Ingres
- The Birth of Venus (Duval) (1862)
- This Year, Venuses Again... Always Venuses! (1864/65), Daumier
- The Anatomist, (1869) by Gabriel von Max, see death of a beautiful woman
- La Danse (1869) by Jean-Baptiste Carpeaux
- Interior Scene (The Rape) (1868 - 1869) by Edgar Degas
- The erotic work of Gustave Courbet
1870s
- La Toilette[17] by Frédéric Bazille
- Venus in Furs (1870)
- La Vérité (1870, "Truth") by Jules Joseph Lefebvre
- Carmilla (1872)
- The Death of Cleopatra (1874) by Jean-André Rixens
- Blonde Woman with Bare Breasts (1878) by Édouard Manet
- Index Librorum Prohibitorum (1877) by Pisanus Fraxi
- Dans le Salon d'une Maison Close, see the brothel monotypes of Edgar Degas
- The Temptation of Saint Anthony (1878) Félicien Rops
- Rolla (Henri Gervex) (1878) by Henri Gervex
- The Enchantress (1878) - Luis Riccardo Faléro
- The Vision of Faust (1878) by Luis Riccardo Faléro
- Pornokrates (1879) by Félicien Rops
- Jules Verne publishes Around the World in 80 Days
1880s
- The Sin (c. 1880)[18], painting by Heinrich Lossow.
- La Grande épidémie de pornographie (1882) caricature by Robida
- Le massage au Hamam (1883)
- Van Gogh and Venus, esp. the 1887 nudes
- My Secret Life (1888)
- La Danaide (1889) by Rodin
- Terminal Essay by Richard Francis Burton
- Anonymous photo of naked woman sitting on a swing, seen from the rear[19] is a black and white nude photo (1880s-90s).
1890s
"Yes, there is no doubt about it, this is an age which has a liking for unsavoury conduct. Who, after all, are the idols of the youth of today? They are Baudelaire, Villiers de l'Isle-Adam, and Verlaine: three men of talent admittedly, but a sadistic Bohemian, an alcoholic, and a murderous homosexual." Edmond de Goncourt, The Goncourt Journal, January 27, 1895 |
- Naturalisme (Louis Legrand) (1890)
- St Elizabeth of Hungary's Great Act of Renunciation is a 1891 painting by Philip Hermogenes Calderon. It won the Chantrey bequest but caused considerable controversy because of its perceived anti-Catholic message. It depicted the saint Elisabeth of Hungary bending naked over an altar watched by monks.
- Wrestling School[20] (c. 1891-93, Die Ringerschule) by Max Slevogt
- L'Idole de la perversité (1891, English: The Idol of Perversity)by Jean Delville
- Degeneration (1892) by Nordau
- Criminal Woman, the Prostitute and the Normal Woman (1893) by Cesare Lombroso
- La Visite médicale (ca 1894) by Henri de Toulouse-Lautrec
- Frenzy of Exultations (1894), by Władysław Podkowiński
- The Songs of Bilitis (1894) - Pierre Louÿs
- In the Moonlight[21] (1894) by Albert von Keller
- The age of maturity (1894) by Camille Claudel
- The Kiss (1896 film)
- Nude study for a poster for Medea[22] (1898) by Alfons Mucha for a play Catulle Mendès
- Nymphs Hunting (1898) [23] by Julius LeBlanc Stewart
- Die Schönheit des Weiblichen Körpers by Carl Heinrich Stratz
- Nuda Veritas (1899) by Klimt
- New Woman (feminism)
- first pin-up girls
- Decadent movement
- start of psychoanalysis in Vienna
See also
- Eros and Realism
- Society for Suppression of Vice
- Bowdlerization
- Venus and Ingres
- Venus in the 19th century
- Early 19th century
- 19th century erotica, Bouchot, Poitevin, Deveria, Maurin, Gavarni, Johannot and Monnier
- Erotica timeline
- Secret Museum, Naples installed
- Examination of the perineum, see the discussion of the Act of 1857 of the improper use of didactic material.
- 19th century preoccupation with human animal contact
- The work of Jean-Jacques Henner
- Bourgeois culture
- 19th century art
- 19th century literature
- History of erotica
- 19th century French erotica