Vasari on the grotesque  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Google
Wikipedia
Wiktionary
Wiki Commons
Wikiquote
Wikisource
YouTube
Shop


Featured:
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Enlarge
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Giorgio Vasari on the grotesque

The grotesque is a kind of free and humorous picture produced by the ancients for the decoration of vacant spaces in some position where only things placed high up are suitable. For this purpose they fashioned monsters deformed by a freak of nature or by the whim and fancy of the workers, who in these grotesque pictures make things outside of any rule, attaching to the finest thread a weight that it cannot support, to a horse legs of leaves, to a man the legs of a crane, and similar follies and nonsense without end. He whose imagination ran the most oddly, was held to be the most able. Afterwards the grotesques were reduced to rule and for friezes and compartments had a most admirable effect. Similar works in stucco were mingled with the painting. So generally was this usage adopted that in Rome and in every place where the Romans settled there is some vestige of it still preserved. And truly, when touched with gold and modelled in stucco such works are gay and delightful to behold. [1]


See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Vasari on the grotesque" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools