Timothy Hyman
From The Art and Popular Culture Encyclopedia
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| - | *[[The Grotesque in Art and Literature]], by [[Wolfgang Kayser]], | ||
| - | *[[Rabelais and His World]], Bakhtin, | ||
| - | *[[Salome and Judas in the Cave of Sex]], [[Ewa Kuryluk]], | ||
| - | *[[On the Grotesque]], by [[Geoffrey Galt Harpham]]. | ||
| - | *[[Carnivalesque (exhibition)]], a catalogue of touring exhibition by [[Timothy Hyman]] and [[Roger Malbert]]. | ||
| - | <hr> | + | '''Timothy Hyman''' {{Post-nominals|country=GBR|RA}} (born 1946) is a British figurative painter, art writer and [[curator]]. He has published monographs on both Sienese Painting and on [[Pierre Bonnard]], as well as most recently ''The World New Made: Figurative Painting in the Twentieth Century.'' He has written extensively on art and film, has been a regular contributor to ''[[The Times Literary Supplement]]'' and has curated exhibitions at the [[Tate]], [[Institute of Contemporary Arts]] and [[Hayward Gallery|Hayward]] galleries. Hyman is a portraitist, but is best known for his narrative renditions of London. Drawing inspiration from artists such as [[Max Beckmann]] and Bonnard, as well as [[Ambrogio Lorenzetti|Lorenzetti]] and [[Pieter Bruegel the Elder|Brueghel]], he explores his personal relationship, both real and mythological, with the city where he lives and works. He employs vivid colours, shifting scale and perspectives, to create visionary works. He was elected an RA in 2011. |
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| - | [[Foul pankration at Kylix by the Foundry Painter BM Vase E78]] [http://commons.wikimedia.org/wiki/File:Foul_pankration_at_Kylix_by_the_Foundry_Painter_BM_VaseE78.jpg] | ||
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| - | [[A rudimentary taxonomic vocabulary for hybrids]] | ||
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| - | [[Louis Bouwmeester as Oedipus in a Dutch production of Oedipus the King]] c. 1896. [http://commons.wikimedia.org/wiki/File:Oedipus.jpg] | ||
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| - | I'm teaching Oedipus now. And when I came to the passage where he gouges his eyes out with the brooch of his mother, I thought of the biblical phrase "[[And if thy right eye offend thee]]." | ||
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| - | And I thougth to myself, whence the [[ocularphobia]]? | ||
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| - | Als dan uw rechteroog u doet struikelen, ruk het uit en werpt het van u weg, want het is beter voor u dat een van uw lichaamsdelen te gronde gaat en niet heel uw lichaam in de hel geworpen wordt. | ||
| - | En als uw rechterhand u doet struikelen, hak hem af en werp hem van u weg, want het is beter voor u dat een van uw lichaamsdelen te gronde gaat en niet heel uw lichaam in de hel geworpen wordt (Mattheus 5: 29,30) | ||
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Timothy Hyman Template:Post-nominals (born 1946) is a British figurative painter, art writer and curator. He has published monographs on both Sienese Painting and on Pierre Bonnard, as well as most recently The World New Made: Figurative Painting in the Twentieth Century. He has written extensively on art and film, has been a regular contributor to The Times Literary Supplement and has curated exhibitions at the Tate, Institute of Contemporary Arts and Hayward galleries. Hyman is a portraitist, but is best known for his narrative renditions of London. Drawing inspiration from artists such as Max Beckmann and Bonnard, as well as Lorenzetti and Brueghel, he explores his personal relationship, both real and mythological, with the city where he lives and works. He employs vivid colours, shifting scale and perspectives, to create visionary works. He was elected an RA in 2011.
