Three Witches  

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"The clergy has not stakes enough, the people insults, the child stones, for the unhappy being. The poet, no less a child, throws yet another stone at her, a crueller one still for a woman. Gratuitously insulting, he makes her out always old and ugly. The very word Sorceress or Witch calls up the image of the Weird Sisters of Macbeth. Yet the cruel witch trials prove exactly the opposite; many perished just because they were young and pretty." --La Sorcière (1862) by Jules Michelet

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The Three Witches, also known as the Weird Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). They hold a striking resemblance to the three Fates of classical mythology, and are, perhaps, intended as a twisted version of the white-robed incarnations of destiny. The witches eventually lead Macbeth to his demise. Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources, aside from Shakespeare's imagination, include British folklore, such contemporary treatises on witchcraft as King James VI of Scotland's Daemonologie, the Norns of Norse mythology, and ancient classical myths of the Fates: the Greek Moirai and the Roman Parcae. Productions of Macbeth began incorporating portions of Thomas Middleton's contemporaneous play The Witch circa 1618, two years after Shakespeare's death.

Shakespeare's witches are prophets who hail Macbeth, the general, early in the play, and predict his ascent to kingship. Upon killing the king and gaining the throne of Scotland, Macbeth hears them ambiguously predict his eventual downfall. The witches, and their "filthy" trappings and supernatural activities, set an ominous tone for the play.

Artists in the eighteenth century, including Henry Fuseli and William Rimmer, depicted the witches variously, as have many directors since. Some have exaggerated or sensationalised the hags, or have adapted them to different cultures, as in Orson Welles's rendition of the weird sisters as voodoo priestesses. Some film adaptations have cast the witches as such modern analogues as hippies on drugs, or goth schoolgirls. Their influence reaches the literary realm as well in such works as the Discworld and Harry Potter series.

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