The famous 'sponge passage' in A Treatise on Painting  

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"By throwing a sponge impregnated with various colours against a wall, it leaves some spots upon it, which may appear like a landscape. It is true also, that a variety of compositions may be seen in such spots, according to the disposition of mind with which they are considered; such as heads of men, various animals, battles, rocky scenes, seas, clouds, woods, and the like. It may be compared to the sound of bells, which may seem to say whatever we choose to imagine." --A Treatise on Painting by Leonardo da Vinci

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In his work A Treatise on Painting, Leonardo da Vinci mentions Sandro Botticelli's 'sponge' anecdote on the technique of landscape painting.

In this passage, Leonardo da Vinci disparages Botticelli over his methods of depicting landscape — asserting that for Botticelli a sponge full of colour thrown against the wall sufficed to produce one of his "melancholy landscapes" (tristissimi paesi).

English translation

A painter cannot be said to aim at universality in the art, unless he love equally every species of that art. For instance, if he delight only in landscape, his can be esteemed only as a simple investigation; and, as our friend Botticelli remarks, is but a vain study ; since, by throwing a sponge impregnated with various colours against a wall, it leaves some spots upon it, which may appear like a landscape. It is true also, that a variety of compositions may be seen in such spots, according to the disposition of mind with which they are considered; such as heads of men, various animals, battles, rocky scenes, seas, clouds, woods, and the like. It may be compared to the sound of bells, which may seem to say whatever we choose to imagine. In the same manner also, those spots may furnish hints for compositions, though they do not teach us how to finish any particular part; and the imitators of them are but sorry landscape-painters. --Rigaud translation of A Treatise on Painting

Italian original

come disse il nostro Botticella, che tale studio era vano, perché col solo gettare di una spugna piena di diversi colori in un muro, essa lascia in esso muro una macchia, dove si vede un bel paese. Egli è ben vero che in tale macchia si vedono varie invenzioni di ciò che l’uomo vuole cercare in quella, cioè teste d’uomini, diversi animali, battaglie, scogli, mari, nuvoli e boschi ed altre simili cose; e fa come il suono delle campane, nelle quali si può intendere quelle dire quel che a te pare. Ma ancora ch’esse macchie ti dieno invenzione, esse non t’insegnano finire nessun particolare. E questo tal pittore fece tristissimi paesi.[1]

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