The black page in Tristram Shandy  

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The first edition of Tristram Shandy, at the point in the narrative where the death of Yorick occurs, a black page[1] is inserted to express the mourning, in an attempt to mix fiction with visual poetry.

Another famous example of a black page[] is in Robert Fludd's Utriusque cosmi maioris scilicet et minoris metaphysica, published by Oppenheim (1617).

The black of Shandy's and Fludd's is found again in the 19th century in an all-black painting by poet Paul Bilhaud called Negroes Fighting in a Cellar at Night and in the 20th century in Kazimir Malevich's monochrome painting Black Square [2].

See also

  • The author Sterne, played with typography on other pages[3] of the book.
  • A complete expo on the oddity of Tristram Shandy is found here[4].

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "The black page in Tristram Shandy" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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