The Way We Live Now  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wiki Commons

Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

The Way We Live Now is a satirical novel by Anthony Trollope, published in London in 1875 after first appearing in serialised form. It is one of the last significant Victorian novels to have been published in monthly parts.

Comprising 100 chapters, The Way We Live Now was Trollope's longest novel, and is particularly rich in sub-plot. It was inspired by the financial scandals of the early 1870s; Trollope had just returned to England from abroad, and was appalled by the greed and dishonesty those scandals exposed. This novel was his rebuke. It dramatises how that greed and dishonesty pervaded the commercial, political, moral, and intellectual life of that era.

Plot summary

Augustus Melmotte is a foreign-born financier with a mysterious past (he is rumoured to have Jewish origins, and it is later revealed that he owned a failed bank in Munich). When he moves his business and his family to London, the city's upper crust begins buzzing with rumours about him—and a host of characters ultimately find their lives changed because of him.

Melmotte sets up his office in the City of London and he purchases a fine house in Grosvenor Square. He sets out to woo rich and powerful investors by hosting a lavish party, and finds an appropriate investment vehicle when he is approached by a young engineer, Paul Montague, and his American partner, Hamilton K. Fisker, to invest in the construction of a new railway line running from Salt Lake City to Veracruz, Mexico. Melmotte's goal is to ramp up the share price without paying out any actual money into the scheme itself, thereby increasing his own not-inconsiderable wealth.

Amongst the aristocratic investors on the railway scheme's board is Sir Felix Carbury, a young and dissolute baronet who is quickly running through his widowed mother's savings. In an attempt to restore their fortunes, as they are being beset by their creditors, his mother, Matilda, Lady Carbury—who makes ends meet by writing historical potboilers with titles like Criminal Queens—endeavours to have him become engaged to Marie Melmotte, the Melmottes' only child and thus a considerable heiress. Sir Felix manages to win Marie's heart, but his schemes are blocked by Melmotte, who has no intention of allowing his daughter to marry a penniless aristocrat. Felix's situation is also complicated by his relationship with Ruby Ruggles, a buxom young farm girl living with her grandfather on the estate of Roger Carbury, his well-off cousin.

Whilst Melmotte is carrying out his financial shenanigans, Paul Montague is the one person who is a thorn in his side. In the South Central Pacific and Mexican Railway Board meetings, chaired and controlled by Melmotte, it is Paul who raises the difficult questions of when the money will actually be allocated to the railway line. Paul's personal life is also made complicated by his amorous affairs. He falls in love with Lady Carbury's young and beautiful daughter Hetta—much to her mother's fury—but has been followed to England by a former American fiancée, the dashing Mrs Winifred Hurtle. Mrs Hurtle is determined to make Paul marry her based on the fact that they had lived together in America, and that she offered him "all that a woman can give". It is Lady Carbury's plan, advised by her literary friend Mr Broune, a distinguished London publisher, for Hetta to marry her cousin Roger. Roger has been Paul's mentor and the two start to come into conflict over their attentions towards Hetta, who steadfastly refuses to marry her cousin, against her mother's wishes.

Events start to come to a head when Paul finally gets Mrs Hurtle's consent to free him of his obligations towards her, in exchange for agreeing to spend one final weekend with her on the coast. Whilst walking along the sands, they meet Roger Carbury, who, on seeing Paul with another woman, decides to break off all acquaintance with him, believing that Paul is simply playing with Hetta's affections. In the meantime, Felix Carbury is torn between his affection for Ruby and his financial need to pursue Marie Melmotte. Ruby, after being beaten by her grandfather for not marrying a respectable local miller, John Crumb, runs away to London and finds refuge in the boarding house owned by her aunt, Mrs Pipkin—where, as it happens, Mrs Hurtle is lodging. Felix learns from Ruby about Mrs Hurtle's relationship with Paul and, coming into conflict with Mrs Hurtle over his attentions to Ruby, reveals all his new-found knowledge to his mother and sister. Hetta is devastated and breaks off her engagement to Paul. Meanwhile, to get Paul out of London and away from the Board meetings, Melmotte attempts to send Paul off to Mexico on a nominal inspection trip of the railway line; but Paul declines to go.

Finding that they cannot get around Melmotte, Felix and Marie decide to elope together to America. Marie and her maid steal a blank cheque from her father's desk and cash it at his bank, arranging to meet Felix on the ship at Liverpool. Felix, who has been given money by Marie for his expenses, goes to his club and gambles it all away in a revenge card game, instigated by his friend Lord Nidderdale, against Miles Grendall, who had cheated Felix in a previous game. Drunk and penniless, Felix returns to his mother's house, knowing the game is up. Meanwhile, after Melmotte has been alerted by his bank, Marie and her maid, who believe that Felix is already on the ship at Liverpool, are intercepted by the police before they can board the ship, and Marie is brought back to London.

Melmotte, who by this time has also become an MP and the purchaser of a grand country estate belonging to Mr Longestaffe (whose daughter Georgiana is the heroine of a lengthy satirical subplot), also knows that his own game is nearly up, particularly after his shenanigans are exposed by Paul to Mr Alf, a journal editor and political rival. When Longestaffe and his son demand the purchase money for the estate Melmotte had bought from them, Melmotte forges his daughter's name to a document that will allow him to get at her money (money that Melmotte had put in her name precisely to protect it from creditors, and which Marie refused to give back to him). He tries to get his clerk, Croll, to witness the forged signature. Croll refuses. Melmotte then also forges Croll's signature, but makes the mistake of leaving the documents with Mr Brehgert, a banker. When Brehgert returns the documents to Croll, rather than to Melmotte, Croll discovers the forgery and leaves Melmotte's service. With his creditors now knocking at his door, the railway shares nearly worthless, charges of forgery looming in his future, and his political reputation in tatters after a drunken appearance in the House of Commons, Melmotte poisons himself.

The remainder of the novel ties up the loose ends. While Felix is out with Ruby one evening, John Crumb comes upon them and, believing that Felix is forcing his attentions on her, thoroughly beats Felix. Ruby finally realises that Felix will never marry her, and returns home to marry John. Felix is forced to live by his wits on the Continent. Lady Carbury marries Mr Broune, who has been a true friend to her throughout her troubles. Hetta and Paul are finally reconciled after he tells her the truth about Mrs Hurtle; Roger forgives Paul and allows the couple to live at Carbury Manor, which he vows to leave to their child. Marie, now financially independent, becomes acquainted with Hamilton K. Fisker, and agrees to go with him to San Francisco, where she eventually marries him. She is accompanied by her stepmother, Madame Melmotte; Croll, who marries Madame Melmotte; and Mrs Hurtle. They never return to England.


The novel was adapted for television in 1969 and 2001 by the BBC. The 2001 adaptation aired on the American network PBS as well. It was also adapted for radio (and re-set in the present day) as a 2008 Woman's Hour drama serial under the title The Way We Live Right Now.

Trollope's own views of his novel

In his autobiography, Trollope described his motivations for writing the novel as follows:

Nevertheless a certain class of dishonesty, dishonesty magnificent in its proportions, and climbing into high places, has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace with pictures on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and can give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishonest after such a fashion is not a low scoundrel. Instigated, I say, by some such reflections as these, I sat down in my new house to write The Way We Live Now. </blockquote> Trollope wrote that The Way We Live Now "was, as a satire, powerful and good. The character of Melmotte is well maintained. The Beargarden is amusing,—and not untrue.... [T]he young lady with her two lovers [referring to Hetta] is weak and vapid...." Hetta, Roger, and Paul were all "uninteresting," in his view. "The interest of the story," he wrote, "lies among the wicked and foolish people,—with Melmotte and his daughter, with the American woman, Mrs Hurtle, and with John Crumb and the girl of his heart. ... Upon the whole," Trollope wrote, "I by no means look upon the book as one of my failures...."

Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Way We Live Now" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools