The War of the Worlds (1938 radio drama)  

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"Orson Welles first gained wide American notoriety on the 1938 War of the Worlds radio broadcast of H. G. Wells's novel of the same name. Adapted to sound like an actual news broadcast, it caused panic and even mass hysteria. Welles and his biographers subsequently claimed he was exposing the gullibility of American audiences in the tense preamble to the Second World War."--Sholem Stein


"Now the first machine reaches the shore. He stands watching, looking over the city. His steel, cowlish head is even with the skyscrapers. He waits for the others. They rise like a line of new towers on the city’s west side . . . Now they’re lifting their metal hands. This is the end now. Smoke comes out . . . black smoke, drifting over the city. People in the streets see it now. They’re running towards the East River . . . thousands of them, dropping in like rats."--The War of the Worlds (1938 radio drama) (1938) by Orson Wells

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The War of the Worlds was an episode of the American radio drama anthology series Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938 and aired over the Columbia Broadcasting System radio network. Directed and narrated by Orson Welles, the episode was an adaptation of H. G. Wells' novel The War of the Worlds.

The first two thirds of the 60-minute broadcast was presented as a series of simulated news bulletins, which suggested to many listeners that an actual Martian invasion was in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a 'sustaining show' (i.e., it ran without commercial breaks), thus adding to the dramatic effect. Although there were sensationalist accounts in the press about a supposed panic, careful research has shown that while thousands were frightened, there is no evidence that people fled their homes or otherwise took action. The news-bulletin format was decried as cruelly deceptive by some newspapers and public figures, leading to an outcry against the perpetrators of the broadcast, but the episode launched Welles to fame.

Welles's adaptation was one of the Radio Project's first studies.

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