The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray
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| ''[[The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray]]'' (1958; Chicago and London: U. of Chicago Press, 1987) is a book by [[Jean H. Hagstrum]]. It explores the connections between [[visual art]] and [[poetry]]. | ''[[The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray]]'' (1958; Chicago and London: U. of Chicago Press, 1987) is a book by [[Jean H. Hagstrum]]. It explores the connections between [[visual art]] and [[poetry]]. | ||
| - | Hagstrum defines his most important term ([[pictorialism]]) as a [[description]] "which must be [[imaginable]] as a painting or sculpture." | + | Hagstrum defines his most important term ([[literary pictorialism]]) as a [[description]] "which must be [[imaginable]] as a painting or sculpture." |
| Some editions have ''[[Saint Cecilia with an Angel]]'' by [[Orazio Gentileschi]] (1563–1639) on the cover. | Some editions have ''[[Saint Cecilia with an Angel]]'' by [[Orazio Gentileschi]] (1563–1639) on the cover. | ||
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The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (1958; Chicago and London: U. of Chicago Press, 1987) is a book by Jean H. Hagstrum. It explores the connections between visual art and poetry.
Hagstrum defines his most important term (literary pictorialism) as a description "which must be imaginable as a painting or sculpture."
Some editions have Saint Cecilia with an Angel by Orazio Gentileschi (1563–1639) on the cover.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
