Roxanne Wars  

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The Roxanne, Roxanne War is a well-known series of hip hop rivalries during the mid 1980s, yielding perhaps the most answer records in history. It arose from a dispute over a failed appearance at a radio promotional show. There were two Roxannes in question, Roxanne Shanté and The Real Roxanne.

History

In 1984, the hip-hop trio U.T.F.O., produced by the R&B group Full Force, released a single titled "Hanging Out," which did not do well. However, it was the single's B side, "Roxanne, Roxanne" which was about a woman who would not respond to their advances, that gained much attention and airplay.

Soon afterwards, 14-year-old Lolita Shanté Gooden was walking outside a New York City housing project called Queensbridge when she heard Tyrone Williams, disc jockey Mr. Magic, and record producer Marley Marl talking about how U.T.F.O. had canceled their appearance at a show they were promoting. Gooden offered to make a hip-hop record that would get back at U.T.F.O, with her taking on the moniker Roxanne Shanté, after her middle name. The three took her up on the idea, with Marley producing "Roxanne's Revenge." The single was released in late 1984, taking the original beats from an instrumental version of "Roxanne, Roxanne." It was very confrontational and vulgar, but was an instant hit that sold over 250,000 copies in the New York area alone. Legal action followed, and it was re-released in early 1985 with new beats and the obscenities removed.

Following this, U.T.F.O and Full Force decided to release their own answer record. While not directly aimed at Roxanne Shanté, this record featured Adelaida Martinez, who took on the moniker of the Real Roxanne. This also was a hit, but this may have also produced an undesired result. While there had been answer records before (such as the semi-disco song "Somebody Else's Guy" and "Games People Play"/"Games Females Play"), it would end with the second record. But in this saga, with a third record now, a whole trend began. The airwaves were so occupied with the three "Roxanne" records that other MCs decided to get into the act. Over the next year, anywhere from 30 to over 100 answer records (according to different claims) were produced, bringing in Roxanne's family, or various claims about her. The ones that were more well known were the following:

• "Sparky's Turn (Roxanne, You're Through)" by Sparky D, a feisty woman who criticizes Roxanne (Shanté, in particular) for being disrespectful toward UTFO, and being too young, both for them to pursue, and to be an MC. Even though the record defended UTFO, they were reported to not be appreciative of this additional unauthorized response. It was after this that the saga really took off.

• "Roxanne's Doctor - The Real Man" by Dr. Freshh, who also insulted Roxanne as having no class.

• "Do the Roxanne" by Dr. Rocx & Co., which created a dance based on Roxanne. (Referred to Shanté's cracky wacky voice, as Sparky D had described it in her record). A rare instance of a record in the series not aimed at dissing someone.

• "The Parents of Roxanne" by Gigolo Tony & Lacey Lace, which answered both UTFO and Sparky D. It drew references from both "Roxanne's Revenge" and "The Real Roxanne" as if both represented the true Roxanne.

• "Yo, My Little Sister (Roxanne's Brothers)" by Crush Groove (no relation to Krush Groove), which answered UTFO, Sparky D, and Dr. Freshh.

• "Rappin' Roxy: Roxanne's Sister" by D.W. and the Party Crew featuring Roxy .

• Another record answered Roxanne Shanté by a young woman calling herself "Little Ice," who told her to "make up her mind" if she wanted a man or not.

• "Roxanne's a Man (The Untold Story — Final Chapter)" by Ralph Rolle, which claimed that Roxanne was actually a man who had been sodomized in prison, and then having "lost his manhood" turned himself into a woman after his release; and insulted UTFO for not realizing this.

Aftermath

Soon, there was a huge outcry against all of these records. Soon a sort of moratorium was called on new Roxanne acts, and the response records finally died down. However, the battle continued among its core group of players:

• UTFO would also add another response of their own; "Roxanne, Roxanne, Pt. 2: Calling Her a Crab," also aimed loosely at Shanté, in which they take back all the compliments they gave to Roxanne in the first record, give out insults instead, and claim to have never really liked her in the first place.

• Roxanne Shanté issued her follow up record "Queen of Rox," which told the story of "how she got so fresh," and faced "a little bit of hassle from UTFO about saying that I'm Roxanne," and then takes a jab at the Real Roxanne ("Yeah, I seen that girl — she got a face like a man").

• In "Bite This," Shanté disses a bunch of other MCs, including "the Real Roxanne, Sparky D, and all the other Roxannes imitating me"

• Then, there was the one-on-one battle between Shanté and Sparky D: "Round 1 - Roxanne Shanté Vs. Sparky Dee." The cover had a picture of both women challenging each other wearing boxing gloves.

The biggest successor to the Roxanne war was The Bridge Wars (in which Roxanne Shanté, as a member of Marley Marl's Juice Crew, was loosely involved), which attacked the entire Queensbridge area. The tables were now turned, as this time it was a hit record produced by Mr. Magic and Marley Marl that garnered a response (MC Shan's "The Bridge"), sparking off a whole new battle saga.

It was in the midst of this battle, in the song "Go On, Girl," that Roxanne Shanté dropped the name Roxanne, and was thereafter known only as Shanté. (The opening line says "it's '88, y'all, so no more Roxannes...") Likewise, The Real Roxanne dropped "Real" from her name, and went by the name Roxanne, and was even addressed as such by Shanté in the track "Big Mama" in a reference to their past battles! This lasted until her 1992 track, "Roxanne S*** Is Over", where she relinquishes the name Roxanne for good, and dubs herself Jo-Anne With The Plan. The album this was released on, Go Down But Don't Bite It, however, was her final record. Shanté likewise retired from the business a few years afterward.