The Kreutzer Sonata
From The Art and Popular Culture Encyclopedia
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Featured: A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933) |
- 'What are the legitimate bounds of realism? To what point is it permissible to describe in repulsive detail the hideous and unseemly things of this world, simply because they exist, when it is quite impossible to say what the effect will be upon thousands of people to whom such description conveys the first knowledge of the existence of evil? It has been proved that public executions, far from inspiring horror of the deeds which led to them, and deterring others from the commission of like deeds, through fear of the result thus presented, actually give rise to crimes copied after those which are thus brought to general attention. The same thing is true in the case of crimes which are minutely described in the newspapers. But books? On the whole, although a sensational realistic book may never reach as many people as an article published in the popular newspaper, it probably produces as much effect because of the weight and respectability which the binding and comparatively high price give to it."--Isabel F. Hapgood
The Kreutzer Sonata is a novella by Leo Tolstoy, published in 1889 and promptly censored by the Russian authorities. The work is an argument for the ideal of sexual abstinence and an in-depth first-person description of jealous rage. The main character, Pozdnyshev, relates the events leading up to his killing his wife; in his analysis, the root cause for the deed were the "animal excesses" and "swinish connection" governing the relation between the sexes.
Summary
During a train ride, Pozdnyshev overhears a conversation concerning marriage, divorce and love. When a woman argues that marriage should not be arranged but based on true love, he asks "what is love?" and points out that, if understood as an exclusive preference for one person, it often passes quickly. Convention dictates that two married people stay together, and initial love can quickly turn into hatred. He then relates how he used to visit prostitutes when he was young, and complains that women's dresses are designed to arouse men's desires. He further states that women will never enjoy equal rights to men as long as men view them as objects of desire, but yet describes their situation as a form of power over men, mentioning how much of society is geared towards their pleasure and well-being and how much sway they have over mens actions.
After meeting and marrying his wife, periods of passionate love and vicious fights alternate. She bears several children, and then receives contraceptives: "The last excuse for our swinish life -- children -- was then taken away, and life became viler than ever." His wife takes a liking to a violinist, and the two perform Beethoven's Kreutzer Sonata (Sonata No. 9 in A Major for piano and violin, Op. 47) together. Pozdnyshev complains that some music is powerful enough to change one's internal state to a foreign one. He hides his raging jealousy and goes on a trip, returns early, finds the two together and kills his wife with a dagger. The violinist escapes: "I wanted to run after him, but remembered that it is ridiculous to run after one's wife's lover in one's socks; and I did not wish to be ridiculous but terrible."
Later acquitted of murder in light of his wife's apparent adultery, Pozdnyshev rides the trains seeking forgiveness from fellow passengers.
