The Hired Hand  

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"And sometimes I'd have him or he'd have me whatever suits you." --Hannah (Bloom) to Harry Collings (Fonda) on her sleeping with "hired hands" [47:00]

"You probably think I'm pretty hot ... Well I am ... don't wannebe but I am ... I don't know how many nights I set on the porch ... watching the shed ... hopin' whoever was in there would come out ... hopin' and terrified in case he did ... wouldn't really matter whether it was you or him tonight." --Hannah (Bloom) to Arch Harris (Oates) [54:00]

"Westerns lost their appeal in the seventies with the emergence of the younger "New Hollywood" audience, who were in the process of revising long held legends of the American west. A number of Westerns made in the seventies, are, as a result, definitely not conventional re-tellings of heroism and the taming of the American frontier. Instead, they make a new space for themselves which allows little room for the glorification of violence, the genocide of the American Indian, stultifying gender roles, or a style of myth-making that has little to do with the reality of a hard scrabble life lived on the borders of civilisation. The Hired Hand directed by and starring Peter Fonda, is a perfect and lovely example of this." --Sholem Stein

"In 1968, Dennis Hopper, Peter Fonda, Jack Nicholson, Bob Rafelson and Henry Jaglom made Easy Rider, the most successful cult film of all time. It was such a success that it probably isn’t a cult film at all, but a mainstream movie. It made a lot of money, and as you know, money signifies quality. Money also conveys power. As a result of making such a successful film, all five guys were given more money to direct more films. Hopper went off to Peru and made The Last Movie, Nicholson directed Drive, He Said, Henry Jaglom made A Safe Place, Bob Rafelson made Five Easy Pieces, and Peter Fonda made a western called The Hired Hand.

Fonda’s movie is not a great film. It’s one of those acid westerns where the camerawork is all bleary and there are long transitions and the people don’t say much. It’s not as good as The Last Movie, it doesn’t have Hopper’s madness or breadth of vision. But what’s really good about it is that it has a big performance by Warren Oates in the role of Fonda’s sidekick, Harris. Warren Oates was a wonderful actor. He was in Cockfighter, a film which, because of its accurate depiction of its subject matter, can’t be shown in Britain; he was in Drum, Kid Blue, The Shooting, Bring Me the Head Of Alfredo Garcia and The Wild Bunch, among others. If you talk to a really good American actor who’s working today - someone like Dennis Hopper, Harry Dean Stanton, Ed Harris - and you ask who they think is the best American actor, living or dead, it is quite likely that they are not going to say Marlon Brando. They’ll tell you it’s Warren Oates."- Alex Cox’s original introduction, from the first Moviedrome Guide.

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The Hired Hand is a 1971 western film directed by Peter Fonda, with a screenplay by Alan Sharp. The film stars Fonda, Warren Oates, and Verna Bloom. The cinematography was by Vilmos Zsigmond, and Bruce Langhorne provided the moody film score. The story is about a man who returns to his abandoned wife after seven years of drifting from job to job throughout the southwest. The embittered woman will only let him stay if he agrees to move in as a hired hand.

Upon release, the film received a mixed critical response and was a financial failure. In 1973, the film was shown on NBC-TV in an expanded version, but soon drifted into obscurity, and was not issued on home video format until 2001, when, following critically acclaimed showings of a fully restored version at various film festivals, it was released by the Sundance Channel on DVD.

Danny Peary in Cult Movie Stars praised it as a "feminist western".



Harry Collings (Fonda) and Arch Harris (Oates) are two saddle tramps who have grown weary after seven years of wandering through the American Southwest. Along with a younger companion, Dan Griffen (Robert Pratt), they stop off in Del Norte, a ramshackle town in the middle of nowhere, which is run by the corrupt McVey (Severn Darden). Harris and Griffen discuss traveling to California to look for work when Collings abruptly informs them he has decided to return to the wife he left years before. Griffen temporarily leaves the two in a bar and goes to buy supplies. Some town thugs shoot him to death out of pure meanness. Collings and Harris escape, but they return that night. Collings shoots McVey in the feet, crippling him.

After riding hundreds of miles back to his old house, Collings finds a cold welcome from his wife Hannah (Bloom). In order to be allowed to stay, he offers his services simply as a “hired hand”. Hannah agrees and quickly puts him to work. Gradually, the distrust and unease caused by years of estrangement slip away, and the two begin to become close again. For the first time, Collings feels willing to settle down, but Harris leaves, wanting 'to see the ocean'.

McVey and his troupe of hooligans interrupt his life. Learning that they have kidnapped Harris, Collings leaves Hannah again, this time to save his friend. In a subsequent brutal shootout with McVey's gang, all of the villains are killed and Collings is fatally wounded. Harris rides alone to Hannah's house.


Due to the huge financial success of Easy Rider (1969), which Fonda co-wrote, produced and starred in, Universal Studios gave him full artistic control over The Hired Hand, his debut as a director. (Universal also did the same for Dennis Hopper with The Last Movie that year.) Hand was shot in New Mexico in the summer of 1970 with a budget of slightly less than $1,000,000. As he later discussed, Fonda was supported as a neophyte filmmaker by the cast of polished character actors, headed by Warren Oates. In addition, cinematographer Vilmos Zsigmond provided a high quality of naturalistic imagery. Zsigmond credited this film as his first major assignment in feature film: "... Before that ['The Hired Hand'], I basically did commercials. 'The Hired Hand' was probably the first time that I [as a cinematographer] actually had a dramatic story with good actors...." Fonda's selection of the then-unknown Bruce Langhorne as the film's musical composer was rewarded, as nearly all the film's reviews singled out the score as being unusually expressive and beautiful.

Frank Mazzola edited the film, using a series of complex and poetic montages, which featured elaborate dissolves, slow motion and overlapping still photography. Mazzola's opening montage was praised by several critics as the film's most memorable sequence.


The Hired Hand received generally mixed reviews, with some critics dismissing the film as a "hippie-western." Variety felt the film had "a disjointed story, a largely unsympathetic hero, and an obtrusive amount of cinematic gimmickry which renders inarticulate the confused story subtleties." Time described it as "pointless, virtually plotless, all but motionless and a lode of pap." But Roger Greenspun of The New York Times praised it as a "rather ambitious simple movie, with a fairly elaborate technique and levels of meaning rising to the mystical, which seems so much a part of the very contemporary old West." Jay Cocks wrote that the film was "a fine, elegiac western."

Despite Universal's hopes for another Easy Rider-sized youth hit, The Hired Hand was a commercial flop. It was sold to NBC-TV for subsequent television showings in 1973, when the majority of the film's fans first saw the movie. After that, it became difficult to see, rarely repeated on television and playing only occasionally at film festivals over the years.

In 2001, the film was fully restored and exhibited at a number of festivals to a generally enthusiastic critical response. Subsequently, the Sundance Channel released a DVD of the film in two separate editions that same year. The film is now well regarded as a minor western classic, with a 91% favorable rating on Rotten Tomatoes based on 11 reviews. Bill Kauffman has called it "a lovely meditation on friendship and responsibility, one of the least-known great movies of that richest of all cinematic eras, the early 1970s." Phil Hardy's The Aurum Film Encyclopedia: The Western opined the film was "beautifully photographed by Zsigmond...a superb evocation of the rigours and essential aimlessness of frontier life."

However, some critics found the film overrated. Glenn Erickson (aka "DVD Savant") believed the movie was "light in the story department and directed at a mannered crawl..."

Television version

When NBC-TV first aired The Hired Hand in 1973, they reinstated twenty minutes of footage that Fonda had deleted from the theatrical cut as “extraneous”. Glenn Erickson has argued that the previously missing footage is very important to the film's narrative, noting that "writer Alan Sharp created a pressing reason for Oates' character to take his leave", and further opined that these twenty minutes helped make The Hired Hand more strongly resemble "a standard film with a story, events, dialogue and character interaction." The most substantial excision involved the death of Ed Plummer (Michael McClure), and the subsequent homicide investigation by the local sheriff (Larry Hagman). For the 2001 limited theatrical release, Fonda again removed the footage. All twenty minutes have been added to the DVD as an extra.

See also

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