The Birth of the Sixth Art  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

The Birth of the Sixth Art (French: « la Naissance d'un sixième art - Essai sur le cinématographe ») is an essay by Ricciotto Canudo first published on October 25, 1911.

The Birth of the Sixth Art is generally cited as the founding text to defend cinema as an art form. It was in fact preceded by Trionfo del Cinematografo published in Nuovo giornale in Florence, November 25 1908).

The essay was published on October 25, the next day, October 26, Canudo gave a lecture at l'Ecole des hautes études to present L'Inferno, an adaptation of Dante's Divine Comedy by Italian film director Giuseppe de Liguoro.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Birth of the Sixth Art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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