The Art of the Novel  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

"The agélastes [Rabelais's word for those who do not laugh], the nonthought of received ideas, and kitsch are one and the same." --The Art of the Novel (1960 by Miland Kundera, cited in Contingency, Irony, and Solidarity (1989) by Richard Rorty

Related e

Wikipedia
Wiktionary
Shop


Featured:

Kunstformen der Natur (1904) by Ernst Haeckel
Enlarge
Kunstformen der Natur (1904) by Ernst Haeckel

The Art of the Novel: Vladislav Vančura's Path to the Great Epic (Umění románu: Cesta Vladislava Vančury za velkou epikou) (1960) is an extended essay by Milan Kundera.

From the publisher:

"Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is," Kundera writes. "I have tried to express here the idea of the novel that is inherent in my own novels." Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on "perhaps the least known of all the great novelists of our time," Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel. His reflections on the state of the modem European novel are as witty, original, and far-reaching as his fiction.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Art of the Novel" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools