Théodore Duret
From The Art and Popular Culture Encyclopedia
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"In the autumn of 1865 Théodore Duret, the Parisian critic, found himself in the city of Madrid after a tour of Portugal on horseback. A new hotel on the Puerta del Sol was, he wrote in his life of Manet, a veritable haven after roughing it in the adjacent kingdom. At the mid-day breakfast he ate as if he had never encountered good cooking in his life. Presently his attention was attracted by the behaviour of a stranger who sat next to him. The unknown was a Frenchman who abused the food, the service, and the country. He was so irritable when he noticed Duret enjoying the very _plats_ he had passed that he turned on him and demanded if insult was meant. The horrible cuisine, he explained, made him sick, and he could not understand the appetite of Duret. Good-naturedly Duret explained he had just arrived from Portugal and that the breakfast was a veritable feast. "And I have just arrived from Paris," he answered, and gave his name, Edouard Manet. He added that he had been so persecuted that he suspected his neighbour of some evil pleasantry. The pair became friends, and went to look at the pictures of Velasquez at the Prado. Fresh from Paris, Manet was still smarting from the attacks made on him after the hanging of his Olympia in the Salon of 1865. Little wonder his nerves were on edge. A dozen days later, after he had studied Velasquez, Goya, and El Greco, Manet, in company with Duret, returned to Paris. It was the beginning of a lifelong friendship." --Promenades of an Impressionist (1910) by James Huneker |
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Théodore Duret (20 January 1838, Saintes – 16 January 1927, Paris) was a French journalist, author and art critic. He was one of the first advocates of Courbet, Manet, and the Impressionists. One of his best known works is Critique d'Avant Garde (Paris, 1885) which was written in support of the Impressionist movement. He also served as collecting advisor and buying agent for American art collector Louisine Havemeyer.
Biography
Theodore Duret was heir to a firm of Cognac dealers, was a collector, orientalist, and art critic.
Travels in Asia
In September 1871, Duret traveled throughout Asia alongside the collector Henri Cernuschi. Together, the two men visited Japan, China, Mongolia, Java, and Indonesia in an effort to collect art objects and artworks. Duret was particularly interested in purchasing Japanese prints and illustrations. In collecting these objects, he sought to discover what he called "the real Japan." Upon his return to Paris, Duret published his Voyage en Asie in 1873, which documented the collector's travels and purchases throughout Asia. Although Duret recounts his personal travels inVoyage en Asie, he also comments on the family structures, languages, and religious practices of the countries he visited.
Whistler painting
He was introduced to Whistler by Manet and posed for a portrait by Whistler in 1883 at Whistler's London studio at 13 Tite Street. At Duret's request, Whistler painted him in full evening dress, but Whistler suggested that he hold a pink domino, an addition necessary to the decorative arrangement of the composition. Whistler worked on the portrait over a long period of time, even though the finished work ultimately looks like a rapid sketch. Acclaimed when exhibited at the Paris Salon of 1885, it was ranked by many as the best portrait of Duret painted by any of the great Realist artists of the period.
