Stalag fiction  

From The Art and Popular Culture Encyclopedia

(Redirected from Stalags)
Jump to: navigation, search

Related e

Wiki Commons

Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Stalag fiction was a short-lived genre of Israeli fiction Nazi exploitation that flourished in the early 1960s, at the time of the Eichmann Trial.


Purported to be translations of English-language books by prisoners in concentration camps, these books were highly pornographic accounts of imprisonment, generally of Allied soldiers, sexual brutalization by female SS guards, and the prisoners' eventual revenge, which usually consisted of the rape and murder of their tormentors. The books, with titles like I Was Colonel Schultz's Private Bitch, were especially popular among adolescent boys, often the children of concentration camp survivors.


The books emerged from the culture of silence that surrounded the Holocaust, especially in Israel, until the Eichmann trial. Many young people lived in the shadow of these events, but could find no answers to their inevitable questions, whether from their parents or their teachers. For most of adolescents, the only answers they could find were in the book The House of Dolls (1955) by K. Tzetnik, a then-anonymous survivor of Auschwitz who wrote about women prisoners forced into prostitution by the Nazi guards—his book was later еxposed to be a work of fiction. Nevertheless, it had an impact on young Israeli males as they went through puberty: questions of identity and their parents' violent past melted into their emerging sexual identity. This became more prevalent during the highly publicized Eichmann trial, when these same young people were exposed to detailed descriptions of the concentration and death camps for the very first time. K. Tzetnik himself was one of the witnesses who provided graphic testimony during the trial.

Exploiting these trends, a group of Israeli publishers began to publish dime novel-format memoirs, describing abuse, particularly sexual abuse, in the concentration camps. Sold in magazine kiosks, the novels, ostensibly first-person memoirs, became best-sellers. According to filmmaker Ari Libsker, "the Holocaust pictures that I saw, as one who grew up here, were of naked women."

They disappeared almost as quickly as they appeared. Within two years of the appearance of the first publication, the publishers were accused by an Israeli court of distributing pornography and the books were discontinued.Template:Citation needed Although still available underground, certain titles earned the ire of the establishment, and efforts were made to find and destroy them.

In 2003, the genre re-entered public debate in Israel with the research of popular culture researcher Eli Eshed. As a result of which Israeli filmmaker Ari Libsker featured the books in a documentary film, Stalags.

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Stalag fiction" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools