The Performer's Role in the Newest Music
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- | "a [[line-drawing]] made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“[[The Performer's Role in the Newest Music]],” The Chesterian 34 (1959): 61. by Peter Gradenwitz | + | "a [[line-drawing]] made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“[[The Performer's Role in the Newest Music]]" (1959) by Peter Gradenwitz |
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"a line-drawing made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“The Performer's Role in the Newest Music" (1959) by Peter Gradenwitz |
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“The Performer's Role in the Newest Music” (The Chesterian 34 (1959): 61) is an essay by Peter Gradenwitz.
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