The Performer's Role in the Newest Music
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| - | ''[[5 Piano Pieces for David Tudor]]'' (1959) is a musical composition by [[Sylvano Bussotti]]. | + | “[[The Performer's Role in the Newest Music]]” (The Chesterian 34 (1959): 61) is an essay by [[Peter Gradenwitz]]. |
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| - | A piece of the "[[sheet music]]" from ''[[5 Piano Pieces for David Tudor]]'' is reproduced in ''[[A Thousand Plateaus]]'' (1980). | + | |
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| ==See also== | ==See also== | ||
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"a line-drawing made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“The Performer's Role in the Newest Music,” The Chesterian 34 (1959): 61. by Peter Gradenwitz |
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“The Performer's Role in the Newest Music” (The Chesterian 34 (1959): 61) is an essay by Peter Gradenwitz.
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "The Performer's Role in the Newest Music" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
