Template:About
From The Art and Popular Culture Encyclopedia
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| :The "rhizome" allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. --''[[A Thousand Plateaus|Mille Plateaux]]'' - [[Gilles Deleuze]] and [[Félix Guattari]], volume 2 of ''[[Capitalisme et Schizofrénie]]'' (1980) | :The "rhizome" allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. --''[[A Thousand Plateaus|Mille Plateaux]]'' - [[Gilles Deleuze]] and [[Félix Guattari]], volume 2 of ''[[Capitalisme et Schizofrénie]]'' (1980) | ||
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| + | Philosophy | ||
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| + | “In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]]]] | ||
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Revision as of 23:52, 20 August 2012
Welcome to Art and Popular Culture, a nobrow wiki for the loftiest of intellectuals and the most jaded hedonists; exploring the hidden links between "mainstream" and "underground" culture.
Methodology
- "Method of this work: literary montage. I have nothing to say only to show." -- Passagenwerk (1927 - 1940) by Walter Benjamin
- The "rhizome" allows for multiple, non-hierarchical entry and exit points in data representation and interpretation. --Mille Plateaux - Gilles Deleuze and Félix Guattari, volume 2 of Capitalisme et Schizofrénie (1980)
Philosophy
“In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson]]
