June 18, 2012
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 23:09, 18 June 2012 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 23:24, 18 June 2012 Jahsonic (Talk | contribs) Next diff → |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| - | + | [Les Cahiers Obliques] (1980) [http://farm5.staticflickr.com/4028/4578619309_5ec7d1f80c_z.jpg] | |
| - | An attack on [[ekphrasis]] is one of the central themes of [[G. E. Lessing]]'s ''[[Laocoon: An Essay on the Limits of Painting and Poetry|Laocoon]]'' (1766) ''[[Varieties of Unreligious Experience]]''. [http://blogspot.be/2006/08/ekphrasis-and-memory.html] | + | |
| {{GFDL}} | {{GFDL}} | ||
Revision as of 23:24, 18 June 2012
|
Related e |
|
Google
Featured: |
[Les Cahiers Obliques] (1980) [1]
Unless indicated otherwise, the text in this article is either based on Wikipedia article "June 18, 2012" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
![[1]](http://farm5.staticflickr.com/4028/4578619309_5ec7d1f80c_z.jpg){kind=link}