Five Piano Pieces for David Tudor  

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-:"a [[line-drawing]] made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“[[The Performer's Role in the Newest Music]],” The Chesterian 34 (1959): 61. by Peter Gradenwitz, cited in ''[[Music, the Arts, and Ideas]]'' by [[Leonard B. Meyer]]+:"a [[line-drawing]] made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“[[The Performer's Role in the Newest Music]],” The Chesterian 34 (1959): 61. by Peter Gradenwitz
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Revision as of 19:36, 20 September 2021

"a line-drawing made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“The Performer's Role in the Newest Music,” The Chesterian 34 (1959): 61. by Peter Gradenwitz

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5 Piano Pieces for David Tudor (1959) is a musical composition by Sylvano Bussotti.

A piece of the "sheet music" from 5 Piano Pieces for David Tudor is reproduced in A Thousand Plateaus (1980).


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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Five Piano Pieces for David Tudor" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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