Five Piano Pieces for David Tudor  

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A piece of the "[[sheet music]]" from ''[[5 Piano Pieces for David Tudor]]'' is reproduced in ''[[A Thousand Plateaus]]'' (1980). A piece of the "[[sheet music]]" from ''[[5 Piano Pieces for David Tudor]]'' is reproduced in ''[[A Thousand Plateaus]]'' (1980).
-:"[[Peter Gradenwitz]] describes the score of Bussotti's Piano Piece for David Tudor as consisting of "a line-drawing made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“[[The Performer's Role in the Newest Music]],” The Chesterian 34 (1959): 61. by Peter Gradenwitz, cited in ''[[Music, the Arts, and Ideas]]'' by [[Leonard B. Meyer]]+:"a line-drawing made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“[[The Performer's Role in the Newest Music]],” The Chesterian 34 (1959): 61. by Peter Gradenwitz, cited in ''[[Music, the Arts, and Ideas]]'' by [[Leonard B. Meyer]]
==See also== ==See also==
*[[David Tudor]] *[[David Tudor]]
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5 Piano Pieces for David Tudor (1959) is a musical composition by Sylvano Bussotti.

A piece of the "sheet music" from 5 Piano Pieces for David Tudor is reproduced in A Thousand Plateaus (1980).

"a line-drawing made up of straight and curved lines, arrows, vertical and diagonal signs of direction, ornaments, and so forth. This drawing is to inspire the pianist to whom the composer leaves every freedom to interpret the "signs of the 'score'"."--“The Performer's Role in the Newest Music,” The Chesterian 34 (1959): 61. by Peter Gradenwitz, cited in Music, the Arts, and Ideas by Leonard B. Meyer

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