Sodom, or the Quintessence of Debauchery  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
seventeenth century theatre

Sodom, or the Quintessence of Debauchery (first published in Antwerp in 1684) is a seventeenth century restoration comedy. The work is thought to be (though not definitively) that of John Wilmot. Determining the date of composition and attribution are complicated owing mostly to misattribution of evidence for and against Rochester's authorship in Restoration and later texts.

Whether by Rochester or not, Sodom merits attention not just as an early piece of pornography but also as a disguised satire on the court of Charles II and especially of his apparent willingness to tolerate Catholicism in England at a time when that religion was officially proscribed. Written presumably at the time of Charles's 1672 Declaration of Indulgence (which promulgated official toleration of Catholics and others), Sodom delineates in its racy plot a king much like Charles whose insistence on promoting his sexual preference for sodomy can be read as an analogue to the debate in England at the time about the king's real motive in pushing religious toleration.

Contents

Plot

Characters include Bolloximian, King of Sodom; Cuntigratia, his queen; Prickett, young Prince and Fuckadilla, Maid of Honour.

Trivia

Parts of the play are staged in the 2004 film The Libertine.

Related terms

References

  • Richard Elias, "Political Satire in Sodom," Studies in English Literature, 1978.




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