The Blind Owl (film)  

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-[[Aguirre, the Wrath of God]], [[City of Pirates]], [[Dark at Noon]], [[Dominique Gonzalez-Foerster]], [[Dream art]], [[Enter the Void]], [[Film noir]], [[Fluffer]], [[Inception]], [[Klara Milich]], [[Life Is a Dream (1986 film)]], [[Litoral (film)]], [[Mirror (1975 film)]], [[Mundane science fiction]], [[Neo-Baroque film]], [[Oneiric]], [[Possessed (1947 film)]], [[Psychology of film]], [[Raúl Ruiz (director)]], [[Salto (film)]], [[Surrealist cinema]], [[The Assassination of Jesse James by the Coward Robert Ford]], [[The Big Sleep (1946 film)]], [[The Blind Owl (film)]], [[The Blood of a Poet]], [[The Story of Marie and Julien]], [[Three Crowns of the Sailor]], [[Tommy Westphall]], [[Treasure Island (1986 film)]], [[W.E.]]+ 
 +'''''The Blind Owl''''' (French: '''''La chouette aveugle''''') is a 1987 [[Surrealist cinema|surrealist]] [[art film]] directed by Chilean filmmaker [[Raúl Ruiz (director)|Raúl Ruiz]]. It is an [[oneiric (film theory)|oneiric]], [[metafictional]] work with some scenes and characters loosely based on the 1937 book ''[[The Blind Owl]]'' by the [[Iranian peoples|Persian]] writer [[Sadegh Hedayat]].
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The Blind Owl (French: La chouette aveugle) is a 1987 surrealist art film directed by Chilean filmmaker Raúl Ruiz. It is an oneiric, metafictional work with some scenes and characters loosely based on the 1937 book The Blind Owl by the Persian writer Sadegh Hedayat.





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