Sid Davis  

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Sidney Davis (1 April 1916 - 16 October 2006) was an American director and producer who specialized in social guidance films.

Contents

Early life

Davis was born to a housepainter father and a dressmaker mother. The family moved to Hollywood, California when Davis was four years old. He began working in the film industry as a child, obtaining bit parts. When he was older he often worked as a stand-in for Leif Erickson and John Wayne.

Filmmaking career

In November 1949 Linda Joyce Glucoft, a six-year-old girl in Los Angeles, California, was molested and murdered by a man named Fred Stroble. The story was front-page news in the Los Angeles Times for a week as police and the FBI searched for Stroble. The story was picked up by Time Magazine and other national media, and led to a flurry of reported rapes and attempted rapes. Some media began to speculate that the supposed epidemic of rape was simply media manipulation of public perception.

Davis stated that the tragedy particularly disturbed him because his then-six-year-old daughter Jill didn't seem to pay attention to his warnings about strangers. He borrowed $1,000 from John Wayne and used the money to make his first film, The Dangerous Stranger, a film he would remake at least twice over the next 30 years. The film tells the story of several young children -- some of the children are kidnapped and eventually saved, others are kidnapped and never seen again.

Davis sold copies of the film to schools and police departments, reaping a $250,000 profit. He used the money to make more than 150 films over the next few decades. Davis' films are typically 10 to 30 minutes long; he prided himself on making each one for $1,000, a minuscule film budget even at that time.

His films cover topics such as driver safety, marijuana use, heroin addiction, and gang warfare. Live and Learn (1956), a fairly famous Davis film, features Jill cutting out paper dolls in her room. When her father comes home she jumps up to greet him, trips on the carpet, and impales herself on the scissors. Other children in the film are equally unlucky -- falling off cliffs, being run over by cars, or losing vision in one eye from flying shards of glass.

One of Davis' most notorious films, Boys Beware (1961), produced with the cooperation of the Inglewood, California Police Department and the Inglewood Unified School District, attempts to frighten boys about what Davis perceived to be the dangers of gay men. The film includes the defamatory and scientifically unsupported accusation, "What Jimmy didn't know was that Ralph was sick -- a sickness that was not visible like smallpox, but no less dangerous and contagious--a sickness of the mind. You see, Ralph was a homosexual: a person who demands an intimate relationship with members of their own sex." The same year, Davis made Girls Beware, warning girls not to put themselves into situations where they would be defenseless, a topic that Davis had covered at least 10 years earlier in his film Name Unknown, in which a man used a gun to accost a couple in isolated surroundings, forcing the boy into the trunk of the car and raping the girl.

Also in 1961, Davis made the film Seduction of the Innocent, targeting teenagers with the message that marijuana use leads to heroin addiction, a message that many marijuana activists dispute as an example of a slippery slope fallacy. The film follows a teenage girl through her experimentation with "reds", "pep pills", and 7-Up, to her first puff of marijuana, to experimentation with and addiction to heroin, to her fate as a prostitute arrested on her twentieth birthday, "lost to society." The film promises that "she'll continue her hopeless, degrading existence until she escapes in death."

Davis' work is consistently about a relatively small group of themes: that strangers must be treated with caution, that the world itself is an unfriendly place, regardless of the presence of strangers, and that children must think before acting. His films typically feature monotonous narration suffused with what Mental Hygiene author Ken Smith calls a "sledgehammer morality." His work is anecdotal and nnsupported by evidence, and is notorious among social guidance films because Davis covered topics that scholarly film producers such as Coronet Films and Encyclopædia Britannica did not address. Coronet, Centron Corporation, and Britannica typically had teams of scholars with PhDs in sociology who guided development of their films. Davis, when he used consultants, rarely used anyone with a degree in a relevant field, instead he used policemen and detectives for their anecdotal advice.

Aside from his social warning films generally known for their bleakness, inaccuracy and simplistic presentations, Davis made some police training films such as Shotgun or Sidearm? (explaining which situations call for which firearms) and military films such as LAPES and PLADS (explaining delivery systems developed to allow planes to drop supplies onto exact locations in generally hostile territory in Vietnam).

Two atypical films in his social warning film canon are Gang Boy (1954) and Age 13 (1955). Both were written and directed by Art Swerdloff. In Gang Boy, Mexican and Anglo gangs in southern California declare a truce and begin working together to make a better world for their younger siblings. The film was based on a true story that happened in Pomona, California in the 1950s.

After a few years of directing films, Davis continued as a cinematographer for his company, Sid Davis Productions, hiring others such as Art Swerdloff, Robert D. Ellis, and Ib Melchior to write and direct. Later he hired cinematographers to lens the films as well as office workers to distribute them, and spent his time enjoying his hobby of mountain climbing.

Davis became involved in the real estate market in Los Angeles during the 1950s, at a time when it was booming due to development resulting from the influx of people to work in the defense industry. Through income from his films, work as a stand-in, and real estate investments, Davis became a multimillionaire.

Later in his life, Davis became famous among mountain climbers, securing the world record for climbing California's Mt. San Jacinto, climbing it 643 times over his life, the last time on 1 September 1998, at age 82.

Availability of his films

Davis' films Age 13, Gang Boy, The Terrible Truth (another anti-drug film), and The Dropout are available on Volume 5 of Rick Prelinger's CD-ROM set Our Secret Century. His films The Terrible Truth and Boys Beware are available online here and here at archive.org.

Death

Davis died on 16 October 2006 in Palm Desert, California. Cause of death was lung cancer.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Sid Davis" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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