Sick comedy  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Sick comedy was a term originally used by mainstream news weeklies Time and Life to distinguish a style of comedy/satire that was becoming popular in the United States in the late 50s. Mainstream comic taste in the United States had favored more innocuous forms, such as the topical but (for the time) inoffensive one-liners in Bob Hope's routines. In contrast, the new comedy favored observational monologues, often with elements of cynicism, social criticism and political satire, which audiences at the time may have found controversial.

The kind of sickness I wish Time had written about, is that school teachers in Oklahoma get a top annual salary of $4000, while Sammy Davis Jr. gets $10,000 for a week in Vegas.

As a guest at the first airing of the Playboy's Penthouse show in 1959, Lenny Bruce objected to a Time article indiscriminately grouping seven new comedians, labeling them as "sick comics". (These were Lenny Bruce, political satirist Mort Sahl, Shelley Berman, Jonathan Winters, Mike Nichols and Elaine May, and Tom Lehrer.)

Script doctor Daniele Luttazzi says: "the term sick comedy then ended up being used to encompass a bit of everything: the humor of the Mad magazine as Jules Feiffer, the cartoons by Charles Addams as the monologues by Mike Nichols and Elaine May, the traditional comedy by Shelley Berman and the hipster comedy of Dick Gregory."

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Sick comedy" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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