Rockism and poptimism  

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{{Template}}'''Rockism''' is an ideology of [[popular music]] and [[rock criticism]], coined by [[Pete Wylie]] and used extensively in the [[United Kingdom|British]] music press from the early [[1980s]]. The fundamental tenet of rockism is that some forms of popular music, and some musical artists, are more [[authentic]] than others. More specifically, authentic popular music fits the [[rock and roll]] paradigm; it is made using the basic rock instrumentation of [[guitar]]s, [[bass guitar]]s and [[drums]], and fits the structures of a [[rock and roll]] song. {{Template}}'''Rockism''' is an ideology of [[popular music]] and [[rock criticism]], coined by [[Pete Wylie]] and used extensively in the [[United Kingdom|British]] music press from the early [[1980s]]. The fundamental tenet of rockism is that some forms of popular music, and some musical artists, are more [[authentic]] than others. More specifically, authentic popular music fits the [[rock and roll]] paradigm; it is made using the basic rock instrumentation of [[guitar]]s, [[bass guitar]]s and [[drums]], and fits the structures of a [[rock and roll]] song.
 +== See also ==
 +*[[Auteur theory]]
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Rockism is an ideology of popular music and rock criticism, coined by Pete Wylie and used extensively in the British music press from the early 1980s. The fundamental tenet of rockism is that some forms of popular music, and some musical artists, are more authentic than others. More specifically, authentic popular music fits the rock and roll paradigm; it is made using the basic rock instrumentation of guitars, bass guitars and drums, and fits the structures of a rock and roll song.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Rockism and poptimism" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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