Ring of Gyges
From The Art and Popular Culture Encyclopedia
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The Ring of Gyges is a mythical magical artifact mentioned by the philosopher Plato in Book 2 of his Republic (2.359a–2.360d). It granted its owner the power to become invisible at will. Through the story of the ring, Republic considers whether an intelligent person would be moral if he did not have to fear being caught and punished.
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The legends
Gyges of Lydia was a historical king, the founder of the Mermnad dynasty of Lydian kings. Various ancient works—the most well-known being The Histories of Herodotus—gave different accounts of the circumstances of his rise to power. All, however, agree in asserting that he was originally a subordinate of King Candaules of Lydia, that he killed Candaules and seized the throne, and that he had either seduced Candaules' Queen before killing him, married her afterwards, or both.
In Glaucon's recounting of the myth (which is clearly not based on historical fact), an unnamed ancestor of Gyges was a shepherd in the service of the ruler of Lydia. After an earthquake, a cave was revealed in a mountainside where he was feeding his flock. Entering the cave, he discovered that it was in fact a tomb with a bronze horse containing a corpse, larger than that of a man, who wore a golden ring, which he pocketed. He discovered that the ring gave him the power to become invisible by adjusting it. He then arranged to be chosen as one of the messengers who reported to the king as to the status of the flocks. Arriving at the palace, he used his new power of invisibility to seduce the queen, and with her help he murdered the king, and became king of Lydia himself.
The role of the legend in Republic
In Republic, the tale of the ring of Gyges is described by the character of Glaucon who is the brother of Plato. Glaucon asks whether any man can be so virtuous that he could resist the temptation of being able to perform any act without being known or discovered. Glaucon suggests that morality is only a social construction, the source of which is the desire to maintain one's reputation for virtue and justice. Hence, if that sanction were removed, one's moral character would evaporate.
Glaucon posits:
- Suppose now that there were two such magic rings, and the just put on one of them and the unjust the other; no man can be imagined to be of such an iron nature that he would stand fast in justice. No man would keep his hands off what was not his own when he could safely take what he liked out of the market, or go into houses and lie with any one at his pleasure, or kill or release from prison whom he would, and in all respects be like a god among men.
- Then the actions of the just would be as the actions of the unjust; they would both come at last to the same point. And this we may truly affirm to be a great proof that a man is just, not willingly or because he thinks that justice is any good to him individually, but of necessity, for wherever any one thinks that he can safely be unjust, there he is unjust.
- For all men believe in their hearts that injustice is far more profitable to the individual than justice, and he who argues as I have been supposing, will say that they are right. If you could imagine any one obtaining this power of becoming invisible, and never doing any wrong or touching what was another's, he would be thought by the lookers-on to be a most wretched idiot, although they would praise him to one another's faces, and keep up appearances with one another from a fear that they too might suffer injustice.
- — Plato's Republic, 360b–d (Jowett trans.)
Though his answer to Glaucon's challenge is delayed, Socrates ultimately argues that justice does not derive from this social construct: the man who abused the power of the Ring of Gyges has in fact enslaved himself to his appetites, while the man who chose not to use it remains rationally in control of himself and is therefore happy. (Republic 10:612b)
Cultural influences
- H. G. Wells' The Invisible Man has as its basis a retelling of the tale of the Ring of Gyges.
- One story arc in the comic book series The Spectre features a giant Ring of Gyges.
- Alberich's Ring in the Richard Wagner's opera Der Ring des Nibelungen (The Ring of the Nibelung)
- The One Ring from J. R. R. Tolkien's The Hobbit and The Lord of the Rings grants invisibility to its wearer but corrupts its owner. Although there is speculation that Tolkien was influenced by Plato's story, a search on "Gyges" and "Plato" in his letters and biography provides no evidence for this. Unlike Plato's ring, Tolkien's exerts an active malevolent force that necessarily destroys the morality of the wearer.
- In his poem "Like a Sentence" John Ashbery has the lines "And it was said of Gyges that his ring / attracted those who saw him not," implying that death (the poem's overall subject) draws even those who ignore it.
- Cicero retells the story of Gyges in De Officiis to illustrate his thesis that a wise or good individual bases her decisions on a fear of moral degradation as opposed to punishment or negative consequences. He follows with a discussion of the role of thought experiments in philosophy. The hypothetical situation in question is complete immunity from punishment of the kind afforded to Gyges by his ring.
- Robertson Davies' novel Fifth Business discusses the story of the Ring of Gyges.
See also
