Richard Barnfield
From The Art and Popular Culture Encyclopedia
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Richard Barnfield (1574–1620), English poet, was born at Norbury, Staffordshire, and brought up in Newport, Shropshire.
He was baptized on 13 June 1574, the son of Richard Barnfield, gentleman. His obscure though close relationship with Shakespeare has long made him interesting to students. In November 1589 Barnfield matriculated at Brasenose College, Oxford, and took his degree in February 1592. He performed the exercise for his masters gown, but seems to have left the university abruptly, without proceeding to the M.A.
It is conjectured that he came up to London in 1593, and became acquainted with Watson, Drayton, and perhaps with Edmund Spenser. The death of Sir Philip Sidney had occurred while Barnfield was still a school-boy, but it seems to have strongly affected his imagination and to have inspired some of his earliest verses. In November 1594, in his twenty-first year, Barnfield published anonymously his first work, The Affectionate Shepherd, dedicated with familiar devotion to Penelope Rich, Lady Rich. This was a sort of florid romance, in two books of six-line stanzas, in the manner of Lodge and Shakespeare, dealing at large with the complaint of Daphnis for the love of Ganymede. As the author expressly admitted later, it was an expansion or paraphrase of Virgil's second eclogue Formosum pastor Corydon ardebat Alexim.
Although the poem was successful, it did not pass without censure from the moral point of view because of its openly homosexual content. Two months later, in January 1595, Barnfield published his second volume, Cynthia, with certain Sonnets, and the legend of Cassandra, and this time signed the preface, which was dedicated, in terms which imply close personal relations, to William Stanley, 6th Earl of Derby. This is a book of extreme interest; it exemplifies the earliest study both of Spenser and Shakespeare. Cynthia itself, a panegyric on Queen Elizabeth, is written in the Spenserian stanza, of which it is probably the earliest example extant outside The Faerie Queene.
In 1598 Barnfield published his third volume, The Encomion of Lady Pecunia, a poem in praise of money, followed by a sort of continuation, in the same six-line stanza, called The Complaint of Poetry for the Death of Liberality. In this volume there is already a decline in poetic quality. But an appendix of Poems in diverse Humours to this volume of 1598 presents some very interesting features. Here appears what seems to be the absolutely earliest praise of Shakespeare in a piece entitled A Remembrance of some English Poets, in which the still unrecognized author of Venus and Adonis is celebrated by the side of Spenser, Daniel and Drayton. Here also are the sonnet, If Music and sweet Poetrie agree, and the beautiful ode beginning As it fell upon a day, which were once attributed to Shakespeare himself.
In the next year, 1599, The Passionate Pilgrim was published, with the words "By W. Shakespeare" on the title-page. It was long supposed that this attribution was correct, but Barnfield claimed one of the two pieces just mentioned, not only in 1598, but again in 1605. It is certain that both are his, and possibly other things in The Passionate Pilgrim also; Shakespeare's share in the twenty poems of that miscellany being doubtless confined to the five short pieces which have been definitely identified as his.
Some claim that Barnfield now married and withdrew to his estate of Dorlestone (or Darlaston), in the county of Stafford, a house romantically situated on the River Trent, where he henceforth resided as a country gentleman. In 1605 his Lady Pecunia was reprinted, and this was his last appearance as a man of letters. It is further claimed that his son Robert Barnfield and his cousin Elinor Skrymsher were his executors when his will was proved at Lichfield; his wife, therefore, doubtless predeceased him. Barnfield, it has been supposed, died at Dorlestone Hall, and was buried in the neighbouring parish church of St Michaels, Stone, on 6 March 1627. However it now appears that this death was in fact his father, and that Richard Barnfield had died a few years earlier. He was for long neglected; but his poetry is clear, sweet, and musical, although lacking in range and extremely derivative. The sonnet sequence, in particular, can be read as one of the more obviously homoerotic sequences of the period. His gift indeed is sufficiently attested by work of his having passed for that of Shakespeare, albeit for only one ode.
Barnfield's Lady Pecunia and The Complaint of Poetry were used as sample texts by the early 17th-century phonetician Robert Robinson for his invented phonetic script.
