Retroactive I  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Retroactive I (1964) is a visual artwork by Robert Rauschenberg which "collaged" images of current events gathered from magazines and newspapers. A large press photograph of John F. Kennedy speaking at a televised news conference was the source for this screen print on canvas. He juxtaposed the image of Kennedy with another photo silkscreen of a parachuting astronaut. The overlapping, and seemingly disparate, composition creates a colorful visual commentary on a media-saturated culture struggling to come to grips with the television era. (see Susan Hapgood’s Neo-Dada, Redefining Art 1958-1962)

The painting was described by John Coulthart in 2008 as a work that could easily serve as an illustration to J. G. Ballard's for The Atrocity Exhibition. Coulthart added that "Rauschenberg was one of a handful of artists who seemed to depict in visual terms what Ballard was describing in words. In this respect Robert Hughes’s discussion of the “landscape of media” [in The Shock of the New (1980)] (Ballard’s common phrase would be “media landscape”) is coincidental but significant."

The painting is in the collection of the Wadsworth Museum of Modern Art.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Retroactive I" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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