Reggae and disco
From The Art and Popular Culture Encyclopedia
"While the link between reggae and hip hop may seem stronger than that between reggae and disco, both hip hop and disco relied, in their nascent state, on the same type of proto-disco records. A first decisive moment for hip hop was DJ Kool Herc's moving from Jamaica to New York and starting to spin funk records instead of his Jamaican hits at his block parties in the Bronx. A second decisive moment was Larry Levan playing an eclectic mix (including reggae) at the Paradise Garage and his ensuing Padlock EP (1983) on Garage Records, mixed from original Island material by Sly and Robbie. "Seventh Heaven", "Peanut Butter", "Getting Hot", "Hop Scotch" are hybrid disco-reggae tracks played by Jamaican musicians, recorded at the Compass Point Studios with late Gwen Guthrie on vocals."--Jahsonic "Larry Levan always played reggae. He always played a reggae set, sometimes twice a night." --Joey Llanos cited in House Music's Development and the East-Coast Underground Scene (1992) by Glenn A. Berry |
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This page researches the links between reggae and disco.
Dub and disco
- "Thanks to You" and "Don't Make Me Wait" came out and started the whole dub thing in disco." Steven Harvey in Collusion magazine #5, 1983 [...]
- Shep Pettibone: " [...] strangely enough, all these computer records started after "Thanks To You". It was kind of like that computer sound within a black vein.
- Disco Dub Band's recording of "For The Love Of Money" and other compositions on Spaced Out: Ten Original Disco Funk Grooves (1997).
See also
- Hustle! Reggae Disco (2002), Soul Jazz Records