Rashomon effect  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
The Rashomon effect is the effect of the subjectivity of perception on recollection, by which observers of an event are able to produce substantially different but equally plausible accounts of it. A useful demonstration of the use of this principle in scientific understanding can be found in the article "The Rashoman Effect: When Ethnographers Disagree," by Karl Heider (American Anthropologist,

March 1988, Vol. 90 No. 1, pp. 73-81).

It is named for Akira Kurosawa's film Rashomon, in which a crime witnessed by four individuals is described in four mutually contradictory ways. The film is based on two short stories by Ryūnosuke Akutagawa, "Rashōmon" (for the setting) and "Yabu no naka", otherwise known as "In a Grove" (for the story line).

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Rashomon effect" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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