Pour une histoire transnationale des expositions d’art ancien  

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Pour une histoire transnationale des expositions d’art ancien: Les Primitifs exposés à Bruges, Sienne, Paris et Düsseldorf (1902-1904)[1]

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Apart from a few isolated examples in the late 19th century, it was in the early decades of the 20th century that the Old Masters gained prominence in art history. Exhibitions, conceptualization processes and visualisation devices helped produce an historical hypothesis. Interpretations of certain phenomena or periods were proposed, sometimes producing nwe areas of study pertinent to the scientific community. This is the case of the great exhibitions of primitive painters that took place almost simultaneously in Bruges, Siena, Paris and Düsseldorf between 1902 and 1904. These exhibitions arose within an internationalization of culture that occured along with the nationalization of European societies. This essay looks at the figures behind these efforts, examining their intellectual and professional interconnections, both on a national and international scale.[2]

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