Post-structural feminism  

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Poststructural feminism is a branch of feminism that engages with insights from post-structuralist thought. Poststructural feminism emphasizes "the contingent and discursive nature of all identities", and in particular the social construction of gendered subjectivities. An important contribution of this branch was to establish that there is no universal single category of "woman" or "man" and to identify the intersectionality of sex, race, ethnicity, class, sexuality, nationality, to name only a few.

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Areas of interest

Like post-structuralism itself, the feminist branch is in large part a tool for literary analysis, but it also deals in psychoanalysis and socio-cultural critique, and seeks to explore relationships between language, sociology, subjectivity and power-relations as they impact upon gender in particular.

Poststructural feminism also seeks to criticize the kyriarchy, while not being limited by narrow understandings of kyriarchal theory, particularly through an analysis of the pervasiveness of othering, the social exile of those men and women removed from the narrow concepts of normal.

Leading figures

Other significant figures in poststructuralist feminism include Monique Wittig, and Julia Kristeva.

Literary examples

  • The heroine of Nice Work admits that, when younger, she "allowed myself to be constructed by the discourse of romantic love for a while"; but adds that she soon came to realise that "we aren't unique individual essences existing prior to language. There is only language".
  • The heroine of Possession, a novel by A.S. Byatt, more ruefully acknowledges that "we live in the truth of what Freud discovered...we question everything except the centrality of sexuality - Unfortunately feminism can hardly avoid privileging such matters".

Criticism

Poststructural feminism has been criticised for its abandonment of the humanistic female subject, and for tactical naivety in its rejection of any form of female essentialism.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Post-structural feminism" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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