Positif (magazine)
From The Art and Popular Culture Encyclopedia
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"Like their peers in literary and art theory, the Cahiers editors began to write texts pitched at a new level of elliptical abstraction. (Positif's most virulent polemicist, Robert Benayoun, dubbed the converted Cahiers crew "les enfants du paradigme.)"--Making Meaning (1989) by David Bordwell |
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Positif is a French film magazine, founded in 1952 by Bernard Chardère in Lyon. It is one of two major French-language film magazines, created several months after Les Cahiers du cinéma. The magazine is headquartered in Paris and is published monthly.
Traditionally, Positif has served as a counterpoint to Les Cahiers du cinéma, focusing on film themes and scripts, in contrast to politics and aesthetics. In the 1950s, Positif was associated with the non-Communist left (while Les Cahiers du cinéma originally held political affiliations with the right). Today, Positif is a neutral publication run by volunteers.
The magazine was edited by Eric Losfeld from 1959. After publishing an article about Orson Welles in 1963, Michel Ciment became a member of the magazine's editorial committee. In 1966, he was promoted to editor in chief, a post he continues to occupy today.
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