Pornographic Art and the Aesthetics of Pornography
From The Art and Popular Culture Encyclopedia
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| ===Introduction | Maes, Hans | Pages 1-24=== | ===Introduction | Maes, Hans | Pages 1-24=== | ||
| - | ===Pornography, Art and Porno-Art | Mikkola, Mari | Pages 27-42 | + | ===Pornography, Art and Porno-Art | Mikkola, Mari | Pages 27-42=== |
| - | ===Exclusivism and Evaluation: Art, Erotica and Pornography | | + | ===Exclusivism and Evaluation: Art, Erotica and Pornography | Patridge, Stephanie | Pages 43-57=== |
| - | Patridge, Stephanie | | + | |
| - | Pages 43-57 | + | |
| - | ===A Pornographic Way of Seeing | | + | ===A Pornographic Way of Seeing | Mumford, Stephen | Pages 58-72=== |
| - | Mumford, Stephen | | + | |
| - | Pages 58-72 | + | |
| - | ===Pornography and Acting | | + | ===Pornography and Acting | Zamir, Tzachi | Pages 75-99=== |
| - | Zamir, Tzachi | | + | |
| - | Pages 75-99 | + | |
| - | ===The Fictional Character of Pornography | | + | ===The Fictional Character of Pornography | Liao, Shen-yi (et al.) | Pages 100-118=== |
| - | Liao, Shen-yi (et al.) | | + | |
| - | Pages 100-118 | + | |
| - | ===Image Economies and the Erotic Life of the Unlovely | | + | ===Image Economies and the Erotic Life of the Unlovely | Winters, Edward | Pages 119-138=== |
| - | Winters, Edward | | + | |
| - | Pages 119-138 | + | |
| - | ===Before Pornography: Sexual Representation in Ancient Roman Visual Culture | | + | ===Before Pornography: Sexual Representation in Ancient Roman Visual Culture | [[John Clarke (historian)|Clarke, John R.]] | Pages 141-161=== |
| - | [[John Clarke (historian)|Clarke, John R.]] | | + | |
| - | Pages 141-161 | + | |
| - | ===Sheela-na-gig Again: The Birth of a New Style from the Spirit of Pornography | | + | ===Sheela-na-gig Again: The Birth of a New Style from the Spirit of Pornography | Trinks, Stefan | Pages 162-182=== |
| - | Trinks, Stefan | | + | |
| - | Pages 162-182 | + | |
| - | ===Aestheticizing Pornography for the 21st-century Academy: Pedagogy as Ars Erotica or Scientia Sexualis? | | + | ===Aestheticizing Pornography for the 21st-century Academy: Pedagogy as Ars Erotica or Scientia Sexualis? | Bennett, David | Pages 183-202=== |
| - | Bennett, David | | + | |
| - | Pages 183-202 | + | |
| - | ===Clean Feet and Dirty Dancing: The Erotic Pas de Deux and [[Boys in the Sand]] | + | ===Clean Feet and Dirty Dancing: The Erotic Pas de Deux and [[Boys in the Sand]] Miller, Edward D.Pages 205-220=== |
| - | Miller, Edward D. | + | |
| - | Pages 205-220 | + | |
| - | ===[[The Pornography of Death]] | + | ===[[The Pornography of Death]] Tercier, JohnPages 221-235=== |
| - | Tercier, John | + | |
| - | Pages 221-235 | + | |
| - | ===Porno-Graphic: Why Words Matter in Fiona Banner’s Arsewoman in Wonderland | | + | ===Porno-Graphic: Why Words Matter in Fiona Banner’s Arsewoman in Wonderland | Dhillon, Kim | Pages 236-251=== |
| - | Dhillon, Kim | | + | |
| - | Pages 236-251 | + | |
| - | ===A Queer Balance: Power Relations in Homosexual Representations and in Choosing Flowers | + | ===A Queer Balance: Power Relations in Homosexual Representations and in Choosing FlowersPetry, Michael Pages 255-273=== |
| - | Petry, Michael | + | |
| - | Pages 255-273 | + | |
| - | ===The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection | | + | ===The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection | [[Marina Wallace|Wallace, Marina]] | Pages 274-286 === |
| - | [[Marina Wallace|Wallace, Marina]] | | + | |
| - | Pages 274-286 | + | |
| - | ===My Pornographic Development | | + | ===My Pornographic Development | Arrowsmith, Anna | Pages 287-297=== |
| - | Arrowsmith, Anna | | + | |
| - | Pages 287-297 | + | |
Revision as of 18:32, 22 February 2018
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Featured: |
Pornographic Art and the Aesthetics of Pornography (2013) is a book edited by Hans Maes.
On the cover is the 'fresh' image of Purple Hyacinth, fresh state/desiccated state by Michael Petry.
The introduction cites -- contra Kant's désinteressement -- Nietzsche's On the Genealogy of Morality:
- "When, forsooth, our aesthetes never get tired of throwing into the scales in Kant's favour the fact that under the magic of beauty men can look at even naked female statues "without interest," we can certainly laugh a little at their expense:—in regard to this ticklish point the experiences of artists are more "interesting," and at any rate Pygmalion was not necessarily an "unaesthetic man."
Toc
Introduction | Maes, Hans | Pages 1-24
Pornography, Art and Porno-Art | Mikkola, Mari | Pages 27-42
Exclusivism and Evaluation: Art, Erotica and Pornography | Patridge, Stephanie | Pages 43-57
A Pornographic Way of Seeing | Mumford, Stephen | Pages 58-72
Pornography and Acting | Zamir, Tzachi | Pages 75-99
The Fictional Character of Pornography | Liao, Shen-yi (et al.) | Pages 100-118
Image Economies and the Erotic Life of the Unlovely | Winters, Edward | Pages 119-138
Before Pornography: Sexual Representation in Ancient Roman Visual Culture | Clarke, John R. | Pages 141-161
Sheela-na-gig Again: The Birth of a New Style from the Spirit of Pornography | Trinks, Stefan | Pages 162-182
Aestheticizing Pornography for the 21st-century Academy: Pedagogy as Ars Erotica or Scientia Sexualis? | Bennett, David | Pages 183-202
Clean Feet and Dirty Dancing: The Erotic Pas de Deux and Boys in the Sand Miller, Edward D.Pages 205-220
The Pornography of Death Tercier, JohnPages 221-235
Porno-Graphic: Why Words Matter in Fiona Banner’s Arsewoman in Wonderland | Dhillon, Kim | Pages 236-251
A Queer Balance: Power Relations in Homosexual Representations and in Choosing FlowersPetry, Michael Pages 255-273
The Fluidity of Acceptability: Seduced by Art and Pornography and the Kinsey Institute Collection | Wallace, Marina | Pages 274-286
My Pornographic Development | Arrowsmith, Anna | Pages 287-297
See also
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