Pierre Bourdieu  

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"In matters of taste, more than anywhere else, all determination is negation, and tastes are perhaps first and foremost distastes, disgust provoked by horror or visceral intolerance of the tastes of others … Aesthetic intolerance can be terribly violent. Aversion to different lifestyles is perhaps one of the strongest barriers between the classes…" (Pierre Bourdieu 1984: 56)

Pierre Bourdieu (August 1, 1930January 23, 2002) was an acclaimed French sociologist whose work employed methods drawn from a wide range of disciplines: from philosophy and literary theory to sociology and anthropology. He is best known for his book Distinction: A Social Critique of the Judgment of Taste, in which he tried to connect aesthetic judgments to positions in social space. The most notable aspect of Bourdieu's theory is the development of methodologies, combining both theory and empirical data, that attempt to dissolve some of the most troublesome antagonisms in theory and research, trying to reconcile such difficulties as how to understand the subject within objective structures (in the process, trying to reconcile structure and agency).

Bourdieu also pioneered methodological frameworks and terminologies such as cultural, social, and symbolic capital, and the concepts of habitus, field, and symbolic violence. Bourdieu's work emphasized the role of practice and embodiment in social dynamics. It builds upon the theories of Ludwig Wittgenstein, Maurice Merleau-Ponty, Edmund Husserl, Georges Canguilhem, Karl Marx, Gaston Bachelard, Max Weber, Emile Durkheim, and Norbert Elias, among others. A notable influence on Bourdieu was Blaise Pascal after whom Bourdieu titled the book Pascalian Meditations.

Perhaps the nearest equivalent in the English-speaking world would be Noam Chomsky.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Pierre Bourdieu" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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