Pierre-Georges Castex  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Pierre-Georges Castex (1915 - 1995) was a French literary critic and author of Le Conte fantastique en France de Nodier à Maupassant (Corti, 1951).

Le Conte fantastique en France de Nodier à Maupassant

The conte fantastique is defined in France as a genre in itself from about 1830, influenced by E. T. A. Hoffmann. What was the role of the young literary critics at the French journal Le Globe (Jean-Jacques Ampère, Duvergier de Hauranne, Sainte Beuve) in putting this literary phenomenon on the map?
The difference between le fantastique and the traditional marvelous: le fantastique is characterized by a brutal intrusion of mystery in the framework of real life; it is generally linked to morbid states of consciousness which, in phenomena such as the nightmare or delirium, projects images of angst and terror."
Pierre-Georges Castex sketches here the history of a genre which has known in the 19th century an almost constant success and which was illustrated in numerous works, from Nodier to Maupassant. -- translated from the French http://www.jose-corti.fr/titreslesessais/conte-fantastique-france.html [Jun 2006]

See Charles Nodier and Guy de Maupassant




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