Linguistic film theory  

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Linguistic film theory is a form of film theory that studies the aesthetics of films by investigating the concepts and practices that comprise the experience and interpretation of movies.

Overview

Linguistic film theory was proposed by Stanley Cavell and it is based on the philosophical tradition begun by late Ludwig Wittgenstein. The theory itself is said to mirror aspects of the activity of Wittgenstein's own philosophising (e.g. Wittgenstein's thought experiments) as films are viewed capable of engaging the audience in a therapeutic process of 'dialogue' and even investigate the absurd and the limits of thought. One of his ideas involved the position that "if one thinks of a grammar as a machine for generating sentences, then perhaps one will wish to speak of the camera and its film as a machine for generating idioms."

Critics from this tradition often clarify misconceptions used in theoretical film studies and instead produce analysis of a film's vocabulary and its link to a form of life.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Linguistic film theory" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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