Paul van Ostaijen
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Wikipedia
Featured: A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933) |
Paul van Ostaijen (Antwerp, February 22 1896 - Miavoye-Anthée, March 18 1928) was a Flemish poet and writer.
His nickname was Mister 1830, because of his habit of walking along the streets of Antwerp clothed as a dandy from that year.
His poetry shows influences by Modernism, Expressionism, Dadaism and early Surrealism, but Van Ostaijen's style is very much his own.
Van Ostaijen was an active flamingant, a supporter of Flemish independence. Because of his involvement with Flemish activism during World War I, he had to flee to Berlin after the war. In Berlin, one of the centers of Dadaism and Expressionism, he met many other artists. He also went through a severe mental crisis.
After he returned to Belgium, Van Ostaijen opened an art gallery in Brussels. He died of tuberculosis in 1928 in a sanatorium in the Wallonian Ardennes.
Poetry
- Music hall (1916)
- Het sienjaal (The signal, 1918)
- Bezette stad (Occupied city, 1921)
- Feesten van Angst en Pijn (Feasts of Fear and Pain, written 1921, published posthumously)
- Nagelaten gedichten (Posthumous poems, published posthumously in 1928)
From the Posthumous Poems:
Other publications
- De trust der vaderlandsliefde (The trust of patriotism, 1925, grotesques)
- Gebruiksaanwijzing der lyriek (Manual of lyrics, 1926, lecture)
- Het bordeel van Ika Loch (Ika Loch's brothel, 1926, grotesques)
- De bende van de stronk (The stump gang, 1932, grotesques)
See also
