Paul Hammond  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Paul Hammond is the editor of The Shadow and its Shadow (2000), an anthology of writings on Surrealism and film. It includes the translation of a "The marvelous is popular" by Ado Kyrou.

Paul Hammond is the author of Constellations of Miró, Breton (City Lights), a monograph on Luis Buñuel's L'Age d'or, Marvellous Méliès (1974), French Undressing, and Upon the Pun: Dual Meaning in Words and Pictures[1] (with Patrick Hughes). Hammond is the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo.

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