Paul Cézanne  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

"The landscape thinks itself in me, and I am its consciousness."--Paul Cézanne cited in Sense and Non-Sense (1948) by Maurice Merleau-Ponty

In French:

"Le paysage [...] se pense en moi et je suis sa conscience"

Related e

Wikipedia
Wiktionary
Shop


Featured:

Paul Cézanne (19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects.

Cézanne's explorations of geometric simplification and optical phenomena inspired Picasso, Braque, Metzinger, Gleizes, Gris and others to experiment with ever more complex views of the same subject and eventually to the fracturing of form. Cézanne thus sparked one of the most revolutionary areas of artistic enquiry of the 20th century, one which was to affect profoundly the development of modern art. Picasso referred to Cézanne as "the father of us all" and claimed him as "my one and only master!" Other painters such as Edgar Degas, Pierre-Auguste Renoir, Paul Gauguin, Kasimir Malevich, Georges Rouault, Paul Klee, and Henri Matisse acknowledged Cézanne's genius.

Maurice Merleau-Ponty wrote "Cézanne's Doubt" (1945).

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Paul Cézanne" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools