Paul Bins, comte de Saint-Victor
From The Art and Popular Culture Encyclopedia
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Paul Bins, comte de Saint-Victor (July 11, 1827 - July 9, 1881), known as Paul de Saint-Victor, French author, was born in Paris. His father Jacques BM Bins, comte de Saint-Victor (1772-1858), is remembered by his poem L'Espérance, and by an excellent verse translation of Anacreon.
Saint-Victor, who ceased to use the title of count as being out of keeping with his democratic principles, began as a dramatic critic on the Pays in 1851, and in 1855 he succeeded Théophile Gautier on the Presse. In 1866 he migrated to the Liberté, and in 1869 joined the staff of the Moniteur universel. In 1870, during the last days of the second empire, he was made inspector-general of fine arts.
Almost all Saint-Victor's work consists of articles, the best known being the collection entitled Hommes et dieux (1867). His death interrupted the publication of Les Deux Masques, in which the author intended to survey the whole dramatic literature of ancient and modern times. Saint-Victor's critical faculty was considerable, though rather one-sided. He owed a good deal to Théophile Gautier, but he carried ornateness to a pitch far beyond Gautier's. Saint-Victor died in Paris on the 9th of July 1881. works.
Career
Saint-Victor ceased using his title as he found it out of keeping with his democratic principles. He began as a drama critic on the Pays newspaper in 1851, and in 1855 he succeeded Théophile Gautier on the Presse. In 1866 he migrated to the Liberté, and in 1869 joined the staff of the Moniteur universel. In 1870, during the last days of the Second Empire, he was made inspector-general of fine arts.
Almost all of Saint-Victor's work consists of articles, the best known being the collection entitled Hommes et Dieux (1867). His death interrupted the publication of Les Deux Masques, in which he intended to survey the whole of ancient and modern dramatic literature. Saint-Victor's critical faculty was considerable, though rather one-sided. He owed a good deal to Théophile Gautier, but his writing was more florid than Gautier's.