Pathologizing the artist  

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The period of 1880-1920 saw a rise in pathologizing the artist, the medicalization of creativity. Cesare Lombroso with The Man of Genius and Max Nordau's Degeneration were the first efforts in the field.

Frank Kermode in the introduction to The Romantic Agony by Mario Praz writes:

"Max Nordau's Degeneration aims at being a literary nosology of the Decadent Movement, but it is completely discredited by its pseudo-erudition, its grossly positivist point of view, and its insincere moral tone."

Literature




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Pathologizing the artist" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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