On Tragic Art  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Wiki Commons
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

On Tragic Art (Ueber die tragische Kunst, 1792) is a treatise by Friedrich Schiller on theatre and narratology. Schiller notes in On Tragic Art that the degree of pleasure obtained from an affect seems to be in inverse proportion to the agreeableness of its content. His argument is similar to that of Aristotle who said that Objects which in themselves we view with pain, we delight to contemplate when reproduced with minute fidelity: such as the forms of the most ignoble animals and of dead bodies. --Aristotle via the Poetics.

See also

External links

http://de.wikisource.org/wiki/Ueber_die_tragische_Kunst



Unless indicated otherwise, the text in this article is either based on Wikipedia article "On Tragic Art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools