No Wave Cinema  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

No Wave Cinema was a nearly nine year boom (1976-1985) in underground filmmaking on the Lower East Side neighborhood of New York City. Its name, much like its cousin No Wave music, was a stripped down style of guerilla/punk filmmaking that emphasized mood and texture above everything else. This brief movement, also known as New Cinema (after a short-lived screening room on St. Mark’s Place run by several filmmakers on the scene), had a significant impact on both underground film, spawning the Cinema of Transgression (Beth B, Richard Kern, Nick Zedd, Tessa Hughes Freeland and others) and a new generation of independent feature filmmaking in New York (Jim Jarmusch, Tom DiCillo, Steve Buscemi and Vincent Gallo), as well as the new movement of Remodernist film.

The filmmakers mainly associated with the movement included Amos Poe, Eric Mitchell, Beth B and Scott B, Vivienne Dick, John Lurie, Becky Johnston, and James Nares.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "No Wave Cinema" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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