Nineteenth century theatre  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Nineteenth century theater is theatre of the 19th century. It was marked by the introduction of realism.

Realism began around 1850 as the Romanticism period was ending around 1870, and gave way to the 'isms' of Twentieth century theatre. Henrik Ibsen is considered to be the father of Realism in theater. In the UK, Thomas William Robertson was an early proponent.

The theme of Realism in theater was likeness to life and this movement sought to create theater that was a laboratory for the nature of relationships. The goal of a realism-era play was to set forth a functional or dysfunctional situation in an objective manner to an impartial audience. The audience is meant to view the characters as a visitor to a human zoo.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Nineteenth century theatre" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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